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Today's Stichomancy for Bill O'Reilly

The first excerpt represents the past or something you must release, and is drawn from Idylls of the King by Alfred Tennyson:

But weigh your sorrows with our lord the King's, And weighing find them less; for gone is he To wage grim war against Sir Lancelot there, Round that strong castle where he holds the Queen; And Modred whom he left in charge of all, The traitor--Ah sweet lady, the King's grief For his own self, and his own Queen, and realm, Must needs be thrice as great as any of ours. For me, I thank the saints, I am not great. For if there ever come a grief to me I cry my cry in silence, and have done.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from On the Duty of Civil Disobedience by Henry David Thoreau:

The standing army is only an arm of the standing government. The government itself, which is only the mode which the people have chosen to execute their will, is equally liable to be abused and perverted before the people can act through it. Witness the present Mexican war, the work of comparatively a few individuals using the standing government as their tool; for in the outset, the people would not have consented to this measure.

This American government--what is it but a tradition, though a recent one, endeavoring to transmit itself unimpaired to posterity, but each instant losing some of its integrity? It has not the vitality and force of a single


On the Duty of Civil Disobedience
The third excerpt represents the future or something you must embrace, and is drawn from Charmides and Other Poems by Oscar Wilde:

Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or The Arno with its tawny troubled gold O'er-leap its marge, no mightier conqueror Clomb the high Capitol in the days of old When Rome was indeed Rome, for Liberty Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell With an old man who grabbled rusty keys, Fled shuddering, for that immemorial knell With which oblivion buries dynasties