Today's Stichomancy for Bob Dylan
The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Little Rivers by Henry van Dyke: forgotten in the joy of a first introduction to Dickens, one very
showery day, when dear old Ned Mason built a smoky fire in a cave
below Haines's Falls, and, pulling The Old Curiosity Shop out of
his pocket, read aloud about Little Nell until the tears ran down
the cheeks of reader and listener--the smoke was so thick, you
know: and the Neversink, which flows through John Burroughs's
country, and past one house in particular, perched on a high bluff,
where a very dreadful old woman come out and throws stones at "city
fellers fishin' through her land" (as if any one wanted to touch
her land! It was the water that ran over it, you see, that carried
the fish with it, and they were not hers at all): and the stream at
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Kenilworth by Walter Scott: was to take their baggage thither. But the ale-tap has been as
potent for him as the sack-spigot has been for Michael."
"It is enough," said Wayland, assuming an air of resolution. "I
will thwart that old villain's projects; my affright at his
baleful aspect begins to abate, and my hatred to arise. Help me
on with my pack, good mine host.--And look to thyself, old
Albumazar; there is a malignant influence in thy horoscope, and
it gleams from the constellation Ursa Major."
So saying, he assumed his burden, and, guided by the landlord
through the postern gate of the Black Bear, took the most private
way from thence up to Cumnor Place.
 Kenilworth |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pool in the Desert by Sara Jeanette Duncan: that despaired while it dictated. The noble thing was her capacity
to take it, and, amid all that warred in her, to carry it out on the
brave high lines of her inspiration. It seemed a literal
inspiration, so perfectly calculated that it was hard not to think
sometimes, when one saw them together, that Anna had been lulled
into a simple resumption of the old relation. Then from the least
thing possible--the lift of an eyelid--it flashed upon one that
between these two every moment was dramatic, and one took up the
word with a curious sense of detachment and futility, but with one's
heart beating like a trip-hammer with the mad excitement of it. The
acute thing was the splendid sincerity of Judy Harbottle's response.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from House of Seven Gables by Nathaniel Hawthorne: and then indulged her brisk impulses, and breathed rural air in a
suburban walk, or ocean breezes along the shore,--had occasionally
obeyed the impulse of Nature, in New England girls, by attending
a metaphysical or philosophical lecture, or viewing a seven-mile
panorama, or listening to a concert,--had gone shopping about the
city, ransacking entire depots of splendid merchandise, and bringing
home a ribbon,--had employed, likewise, a little time to read the
Bible in her chamber, and had stolen a little more to think of her
mother and her native place--unless for such moral medicines as the
above, we should soon have beheld our poor Phoebe grow thin and put
on a bleached, unwholesome aspect, and assume strange, shy ways,
 House of Seven Gables |
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