The first excerpt represents the past or something you must release, and is drawn from The Wife, et al by Anton Chekhov: You go about in an embroidered shirt, are constantly seen in the
street carrying books, and now the bicycle, too. The headmaster
will learn that you and your sister ride the bicycle, and then it
will reach the higher authorities. . . . Will that be a good
thing?'
" 'It's no business of anybody else if my sister and I do
bicycle!' said Kovalenko, and he turned crimson. 'And damnation
take any one who meddles in my private affairs!'
"Byelikov turned pale and got up.
" 'If you speak to me in that tone I cannot continue,' he said.
'And I beg you never to express yourself like that about our
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Magic of Oz by L. Frank Baum: Sawhorse and the royal Red Wagon to pay a visit to Glinda, and the girl
Ruler kissed Princess Dorothy and graciously granted permission.
The Wooden Sawhorse was one of the most remarkable creatures in Oz.
Its body was a small log and its legs were limbs of trees stuck in the
body. Its eyes were knots, its mouth was sawed in the end of the log
and its ears were two chips. A small branch had been left at the rear
end of the log to serve as a tail.
Ozma herself, during one of her early adventures, had brought this
wooden horse to life, and so she was much attached to the queer animal
and had shod the bottoms of its wooden legs with plates of gold so
they would not wear out. The Sawhorse was a swift and willing
 The Magic of Oz |
The third excerpt represents the future or something you must embrace, and is drawn from Northanger Abbey by Jane Austen: and he being hurried for time, and not caring to have it
put off--made a point of her being denied. That was all,
I do assure you. She was very much vexed, and meant
to make her apology as soon as possible."
Catherine's mind was greatly eased by this information,
yet a something of solicitude remained, from which sprang
the following question, thoroughly artless in itself,
though rather distressing to the gentleman: "But, Mr. Tilney,
why were you less generous than your sister? If she felt
such confidence in my good intentions, and could suppose
it to be only a mistake, why should you be so ready
 Northanger Abbey |