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Today's Stichomancy for Bob Fosse

The first excerpt represents the past or something you must release, and is drawn from The Apology by Xenophon:

many a long day, ever since I was born, sentence of death was passed upon me by nature? If so be I perish prematurely while the tide of life's blessings flows free and fast, certainly I and my well-wishers should feel pained; but if it be that I am bringing my life to a close on the eve of troubles, for my part I think you ought all of you to take heart of grace and rejoice in my good fortune."

[51] "Why precisely now?"

Now there was a certain Apollodorus,[52] who was an enthusiastic lover of the master, but for the rest a simple-minded man. He exclaimed very innocently, "But the hardest thing of all to bear, Socrates, is to see you put to death unjustly."[53]


The Apology
The second excerpt represents the present or the deciding factor of the moment, and is drawn from In a German Pension by Katherine Mansfield:

to come up and tell you."

He started walking up and down--tore off his gloves and flung them on the table.

"Don't do that, Max," said Elsa, "you get on my nerves. And I've got a headache to-day; I'm feverish and quite flushed...Don't I look flushed?"

He paused by the window and glanced at her a moment over his shoulder.

"No," he said; "I didn't notice it."

"Oh, you haven't looked at me properly, and I've got a new tea-gown on, too." She pulled her skirts together and patted a little place on the couch.

"Come along and sit by me and tell me why you're being naughty."

The third excerpt represents the future or something you must embrace, and is drawn from The Reef by Edith Wharton:

they are. Above all, I want you to know the truth about Miss Viner----"

The name sent the blood to Anna's forehead. She raised her head and faced him. "Why should I know more of her than what she's told me? I never wish to hear her name again!"

"It's because you feel about her in that way that I ask you --in the name of common charity--to let me give you the facts as they are, and not as you've probably imagined them."

"I've told you I don't think uncharitably of her. I don't want to think of her at all!"

"That's why I tell you you're afraid."