The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Another Study of Woman by Honore de Balzac: condition was evident; the horrible doubts that had fermented in me
increased it. At last I found an opening for putting in these words:
'You have had no one with you this morning?' making a pretext of the
uneasiness I had felt in the fear lest she should have disposed of her
time after receiving my first note.--'Ah!' she exclaimed, 'only a man
could have such ideas! As if I could think of anything but your
suffering. Till the moment when I received your second note I could
think only of how I could contrive to see you.'--'And you were
alone?'--'Alone,' said she, looking at me with a face of innocence so
perfect that it must have been his distrust of such a look as that
which made the Moor kill Desdemona. As she lived alone in the house,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Verses 1889-1896 by Rudyard Kipling: Which is just what a beast would do.
'Is girl she goes with a bombardier
Before 'er month is through;
An' the banns are up in church, for she's got the beggar hooked,
Which is just what a girl would do.
We fought 'bout a dog -- last week it were --
No more than a round or two;
But I strook 'im cruel 'ard, an' I wish I 'adn't now,
Which is just what a man can't do.
Verses 1889-1896 |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Silverado Squatters by Robert Louis Stevenson: very curious, of course, and ancient enough, if that were
all. Doubtless, the heart of the geologist beats quicker at
the sight; but, for my part, I was mightily unmoved. Sight-
seeing is the art of disappointment.
"There's nothing under heaven so blue,
That's fairly worth the travelling to."
But, fortunately, Heaven rewards us with many agreeable
prospects and adventures by the way; and sometimes, when we
go out to see a petrified forest, prepares a far more
delightful curiosity, in the form of Mr. Evans, whom may all
prosperity attend throughout a long and green old age.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Father Goriot by Honore de Balzac: enough, it told me everything--'where are your diamonds?'--'In my
room----'--'No,' he said, looking straight at me, 'there they are
on that chest of drawers----' and he lifted his handkerchief and
showed me the casket. 'Do you know where they came from?' he
said. I fell at his feet. . . . I cried; I besought him to tell
me the death he wished to see me die."
"You said that!" cried Goriot. "By God in heaven, whoever lays a
hand on either of you so long as I am alive may reckon on being
roasted by slow fires! Yes, I will cut him in pieces like . . ."
Goriot stopped; the words died away in his throat.
"And then, dear, he asked something worse than death of me. Oh!
Father Goriot |