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Today's Stichomancy for Brittany Murphy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Montezuma's Daughter by H. Rider Haggard:

that at the time of which I write I was not yet of age; but young blood is nimble, and moreover mine was half Spanish, and made a man of me when many a pure-bred Englishman is still nothing but a boy. For the blood and the sun that ripens it have much to do with such matters, as I have seen often enough among the Indian peoples of Anahuac, who at the age of fifteen will take to themselves a bride of twelve. At the least it is certain that when I was eighteen years of age I was old enough to fall in love after such fashion that I never fell out of it again altogether, although the history of my life may seem to give me the lie when I say so. But I take it that a man may love several women and yet love one of them the


Montezuma's Daughter
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Return of the Native by Thomas Hardy:

in conversation with a mother, was absurdly indiscreet. Hardly a maternal heart within the four seas could in such circumstances, have helped being irritated at that ill-timed betrayal of feeling for a new woman.

"You are blinded, Clym," she said warmly. "It was a bad day for you when you first set eyes on her. And your scheme is merely a castle in the air built on purpose to justify this folly which has seized you, and to salve your conscience on the irrational situation you are in."

"Mother, that's not true," he firmly answered.


Return of the Native
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phaedo by Plato:

to Socrates, who is playing with his hair. He too, like Apollodorus, takes no part in the discussion, but he loves above all things to hear and speak of Socrates after his death. The calmness of his behaviour, veiling his face when he can no longer restrain his tears, contrasts with the passionate outcries of the other. At a particular point the argument is described as falling before the attack of Simmias. A sort of despair is introduced in the minds of the company. The effect of this is heightened by the description of Phaedo, who has been the eye-witness of the scene, and by the sympathy of his Phliasian auditors who are beginning to think 'that they too can never trust an argument again.' And the intense interest of the company is communicated not only to the first auditors, but

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ann Veronica by H. G. Wells:

also, made up in a more complicated manner.

Ann Veronica was much impressed by a mighty trying on and altering and fussing about Alice's "things"--Alice was being re-costumed from garret to cellar, with a walking-dress and walking-boots to measure, and a bride's costume of the most ravishing description, and stockings and such like beyond the dreams of avarice --and a constant and increasing dripping into the house of irrelevant remarkable objects, such as--

Real lace bedspread;

Gilt travelling clock;

Ornamental pewter plaque;