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Today's Stichomancy for Brittany Murphy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from War of the Worlds by H. G. Wells:

palings.

Near the top I stumbled upon something soft, and, by a flash of lightning, saw between my feet a heap of black broad- cloth and a pair of boots. Before I could distinguish clearly how the man lay, the flicker of light had passed. I stood over him waiting for the next flash. When it came, I saw that he was a sturdy man, cheaply but not shabbily dressed; his head was bent under his body, and he lay crumpled up close to the fence, as though he had been flung violently against it.

Overcoming the repugnance natural to one who had never before touched a dead body, I stooped and turned him over


War of the Worlds
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Eighteenth Brumaire of Louis Bonaparte by Karl Marx:

traveling princesses, but as the bourgeois class against the other classes; not as royalists against republicans. Indeed, as party of Order they exercised a more unlimited and harder dominion over the other classes of society than ever before either under the restoration or the July monarchy-a thing possible only under the form of a parliamentary republic, because under this form alone could the two large divisions of the French bourgeoisie be united; in other words, only under this form could they place on the order of business the sovereignty of their class, in lieu of the regime of a privileged faction of the same. If, this notwithstanding, they are seen as the party of Order to insult the republic and express their antipathy for it, it happened not out of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

was, perhaps, the narrow limits to which he thus confined himself upon the guitar, which gave birth, in great measure, to the fantastic character of the performances. But the fervid facility of his impromptus could not be so accounted for. They must have been, and were, in the notes, as well as in the words of his wild fantasias (for he not unfrequently accompanied himself with rhymed verbal improvisations), the result of that intense mental collectedness and concentration to which I have previously alluded as observable only in particular moments of the highest artificial excitement. The words of one of these rhapsodies I have easily remembered. I was, perhaps, the more


The Fall of the House of Usher
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Young Forester by Zane Grey:

had gone up the right-hand trunk some fifteen feet, and was now hugging it. At that short distance he looked alarmingly big. But I saw he would have all he could do to hold on, and if I could climb the left trunk and get above him there would be little to fear. How I did it so quickly was a mystery, but amid the cracking of dead branches and pattering of falling bark and swaying of the tree-top I gained a position above him.

He was so close that I could smell him. His quick little eyes snapped fire and fear at once; he uttered a sound that was between a whine and a growl.

"Hey, youngster!" yelled Hiram, "thet's high enough--'tain't safe--be careful now."

With the words I looked out below me, to see the old hunter standing in


The Young Forester