| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moll Flanders by Daniel Defoe: let her see that I abhorred the thoughts of it; and, to do her
justice, she put it off so cleverly, that I could not say she really
intended it, or whether she only mentioned the practice as a
horrible thing; for she couched her words so well, and took my
meaning so quickly, that she gave her negative before I could
explain myself.
To bring this part into as narrow a compass as possible, I quitted
my lodging at St. Jones's and went to my new governess, for
so they called her in the house, and there I was indeed treated
with so much courtesy, so carefully looked to, so handsomely
provided, and everything so well, that I was surprised at it, and
 Moll Flanders |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Horse's Tale by Mark Twain: hills, that poor little chap had been tearing around in the saddle
all day, and I noticed by the slack knee-pressure that she was
tired and tottery, and I got dreadfully afraid; but every time I
tried to slow down and let her go to sleep, so I could stop, she
hurried me up again; and so, sure enough, at last over she went!
"Ah, that was a fix to be in I for she lay there and didn't stir,
and what was I to do? I couldn't leave her to fetch help, on
account of the wolves. There was nothing to do but stand by. It
was dreadful. I was afraid she was killed, poor little thing! But
she wasn't. She came to, by-and-by, and said, 'Kiss me, Soldier,'
and those were blessed words. I kissed her - often; I am used to
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Beauty and The Beast by Bayard Taylor: had given him up as hopelessly ruined,--and, finally, that he had
left the city. After that, all reports ceased. He was either
dead, or reclaimed and leading a better life, somewhere far away.
Dead, she believed--almost hoped; for in that case might he not now
be enjoying the ineffable rest and peace which she trusted might be
her portion? It was better to think of him as a purified spirit,
waiting to meet her in a holier communion, than to know that he was
still bearing the burden of a soiled and blighted life. In any
case, her own future was plain and clear. It was simply a
prolongation of the present--an alternation of seed-time and
harvest, filled with humble duties and cares, until the Master
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Underground City by Jules Verne: worked in the two Americas. The manu-factories, appropriated
to so many different uses, locomotives, steamers, gas works,
&c., were not likely to fail for want of the mineral fuel;
but the consumption had so increased during the last few years,
that certain beds had been exhausted even to their smallest veins.
Now deserted, these mines perforated the ground with their
useless shafts and forsaken galleries. This was exactly the case
with the pits of Aberfoyle.
Ten years before, the last butty had raised the last ton of coal
from this colliery. The underground working stock, traction engines,
trucks which run on rails along the galleries, subterranean tramways,
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