| The first excerpt represents the past or something you must release, and is drawn from The Golden Threshold by Sarojini Naidu: in too frail a body, it was rarely that her desire was fully
granted. But in Italy she found what she could not find in
England, and from Italy her letters are radiant. "This Italy is
made of gold," she writes from Florence, "the gold of dawn and
daylight, the gold of the stars, and, now dancing in weird
enchanting rhythms through this magic month of May, the gold of
fireflies in the perfumed darkness--'aerial gold.' I long to
catch the subtle music of their fairy dances and make a poem with
a rhythm like the quick irregular wild flash of their sudden
movements. Would it not be wonderful? One black night I stood
in a garden with fireflies in my hair like darting restless stars
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Peter Pan by James M. Barrie: of Peter or Tink as because the island was looking for them. It
is only thus that any one may sight those magic shores.
"There it is," said Peter calmly.
"Where, where?"
"Where all the arrows are pointing."
Indeed a million golden arrows were pointing it out to the
children, all directed by their friend the sun, who wanted
them to be sure of their way before leaving them for the night.
Wendy and John and Michael stood on tip-toe in the air to get
their first sight of the island. Strange to say, they all
recognized it at once, and until fear fell upon them they hailed
 Peter Pan |
The third excerpt represents the future or something you must embrace, and is drawn from The Age of Innocence by Edith Wharton: them!" he felt like retorting; but the appeal in her eyes
kept him silent.
"I want," she went on, "to be perfectly honest with
you--and with myself. For a long time I've hoped this
chance would come: that I might tell you how you've
helped me, what you've made of me--"
Archer sat staring beneath frowning brows. He
interrupted her with a laugh. "And what do you make out
that you've made of me?"
She paled a little. "Of you?"
"Yes: for I'm of your making much more than you
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