| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Democracy In America, Volume 2 by Alexis de Toqueville: them; but rather watch it carefully, as the most precious bequest
of aristocratic ages. Seek not to supersede the old religious
opinions of men by new ones; lest in the passage from one faith
to another, the soul being left for a while stripped of all
belief, the love of physical gratifications should grow upon it
and fill it wholly.
The doctrine of metempsychosis is assuredly not more
rational than that of materialism; nevertheless if it were
absolutely necessary that a democracy should choose one of the
two, I should not hesitate to decide that the community would run
less risk of being brutalized by believing that the soul of man
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Jude the Obscure by Thomas Hardy: Sue would like to see him, and made a hasty tea, he set out,
notwithstanding that the evening was wet. The trees overhead
deepened the gloom of the hour, and they dripped sadly upon him,
impressing him with forebodings--illogical forebodings;
for though he knew that he loved her he also knew that he could
not be more to her than he was.
On turning the corner and entering the village the first sight
that greeted his eyes was that of two figures under one umbrella
coming out of the vicarage gate. He was too far back for them
to notice him, but he knew in a moment that they were Sue
and Phillotson. The latter was holding the umbrella over her head,
 Jude the Obscure |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Don Quixote by Miquel de Cervantes: the contrary lies like a great scoundrel, and I will give him to
know it, on foot or on horseback, armed or unarmed, by night or by
day, or as he likes best."
Cardenio was looking at him steadily, and his mad fit having now
come upon him, he had no disposition to go on with his story, nor
would Don Quixote have listened to it, so much had what he had heard
about Madasima disgusted him. Strange to say, he stood up for her as
if she were in earnest his veritable born lady; to such a pass had his
unholy books brought him. Cardenio, then, being, as I said, now mad,
when he heard himself given the lie, and called a scoundrel and
other insulting names, not relishing the jest, snatched up a stone
 Don Quixote |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]: "Oh. no, miss; it just comes natural to cats and kittens to prey upon birds
and birds' nests."
"Patrick," said Tattine solemnly, "there is not going to be any four-legged
thing left for me to love. I am done with Betsy and Doctor, and now I'm done
with Black-and-white. I wonder if Mamma can make it seem any better," and then
she turned her steps to the house in search of comfort, but she had gone only
half-way when the coachman, who was waiting at the door with the little grey
mare and the phaeton, motioned to her to come quietly. Tattine saw at a glance
what had happened, and sped swiftly back to Patrick. "Keep Black-and-white up
the tree," she said, in a breathless whisper; "don't let her go near the nest,
and don't let her come down for the world. The little Phoebe-birds have lit."
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