| The first excerpt represents the past or something you must release, and is drawn from Tanglewood Tales by Nathaniel Hawthorne: "True," said the king, with a smile that did not look
particularly good-natured. "Very true, young man. But there are
other things as hard, or perhaps a little harder, to be done
before you can even have the privilege of being devoured by the
dragon. For example, you must first tame my two brazen-footed
and brazen-lunged bulls, which Vulcan, the wonderful
blacksmith, made for me. There is a furnace in each of their
stomachs; and they breathe such hot fire out of their mouths
and nostrils, that nobody has hitherto gone nigh them without
being instantly burned to a small, black cinder. What do you
think of this, my brave Jason?"
 Tanglewood Tales |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tales of Unrest by Joseph Conrad: back colder than the running water. A sure shot! I flung the gun after
the shot. Those two stood over the dead man as though they had been
bewitched by a charm. I shouted at her, 'Live and remember!' Then for
a time I stumbled about in a cold darkness.
"Behind me there were great shouts, the running of many feet; strange
men surrounded me, cried meaningless words into my face, pushed me,
dragged me, supported me . . . I stood before the big Dutchman: he
stared as if bereft of his reason. He wanted to know, he talked fast,
he spoke of gratitude, he offered me food, shelter, gold--he asked
many questions. I laughed in his face. I said, 'I am a Korinchi
traveller from Perak over there, and know nothing of that dead man. I
 Tales of Unrest |
The third excerpt represents the future or something you must embrace, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson: only white man's family in all Samoa, except those of the
missionaries, where the day naturally ended with this homely,
patriarchal custom. Not only were the religious scruples of the
natives satisfied, but, what we did not foresee, our own
respectability - and incidentally that of our retainers - became
assured, and the influence of Tusitala increased tenfold.
After all work and meals were finished, the 'pu,' or war conch, was
sounded from the back veranda and the front, so that it might be
heard by all. I don't think it ever occurred to us that there was
any incongruity in the use of the war conch for the peaceful
invitation to prayer. In response to its summons the white members
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