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Today's Stichomancy for Carmen Electra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mansion by Henry van Dyke:

three or four times what I paid for it. That was a good purchase, a very good bargain."

He dropped into the revolving chair before his big library table.

It was covered with pamphlets and reports of the various enterprises in which he was interested. There was a pile of newspaper clippings in which his name was mentioned with praise for his sustaining power as a pillar of finance, for his judicious benevolence, for his

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Criminal Sociology by Enrico Ferri:

by other manifestations of public opinion. In any case, as Bentham said, it is better to have our remedy in the law than in the subversion of the law.

As for private conviction, we willingly admit that no system of legal proof is acceptable. But it is one thing to substitute for the legal and artificial assurance of the law the assurance of the judge who tries the case, and quite another thing to substitute for conviction founded on argument, and for a critical examination of the evidence collected during the trial, the blind and simple promptings of instinct or sentiment.

Even apart from technical notions, which we consider necessary to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ferragus by Honore de Balzac:

two other windows resumed their ruddy glow. At this moment a voice said, "Hi, there!" and the young man was conscious of a blow on his shoulder.

"Why don't you pay attention?" said the rough voice of a workman, carrying a plank on his shoulder. The man passed on. He was the voice of Providence saying to the watcher: "What are you meddling with? Think of your own duty; and leave these Parisians to their own affairs."

The young man crossed his arms; then, as no one beheld him, he suffered tears of rage to flow down his cheeks unchecked. At last the sight of the shadows moving behind the lighted windows gave him such


Ferragus
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Middlemarch by George Eliot:

till Mr. Bulstrode, who at the end of his speech had cast his eyes on the floor, now raised them with an examining glance, which Will met fully, saying--

"I suppose you did know of my mother's existence, and knew where she might have been found."

Bulstrode shrank--there was a visible quivering in his face and hands. He was totally unprepared to have his advances met in this way, or to find himself urged into more revelation than he had beforehand set down as needful. But at that moment he dared not tell a lie, and he felt suddenly uncertain of his ground which he had trodden with some confidence before.


Middlemarch