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Today's Stichomancy for Cary Grant

The first excerpt represents the past or something you must release, and is drawn from Story of an African Farm by Olive Schreiner:

the old mystery of Universal unity that surrounds it.

"No death, no death," he muttered; "there is that which never dies--which abides. It is but the individual that perishes, the whole remains. It is the organism that vanishes, the atoms are there. It is but the man that dies, the Universal Whole of which he is part reworks him into its inmost self. Ah, what matter that man's day be short!--that the sunrise sees him, and the sunset sees his grave; that of which he is but the breath has breathed him forth and drawn him back again. That abides--we abide."

For the little soul that cries aloud for continued personal existence for itself and its beloved, there is no help. For the soul which knows itself no more as a unit, but as a part of the Universal Unity of which the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dead Souls by Nikolai Vasilievich Gogol:

would become greater than ever, and, believing that happiness did not exist on earth, he would relapse into increased ennui, increased neglect of his responsibilities.

But one morning he noticed, on moving to the window after breakfast, that not a word was proceeding either from the butler or the housekeeper, but that, on the contrary, the courtyard seemed to smack of a certain bustle and excitement. This was because through the entrance gates (which the kitchen maid and the scullion had run to open) there were appearing the noses of three horses--one to the right, one in the middle, and one to the left, after the fashion of triumphal groups of statuary. Above them, on the box seat, were seated


Dead Souls
The third excerpt represents the future or something you must embrace, and is drawn from Study of a Woman by Honore de Balzac:

gave you Saturday?"

Joseph became stolid. Like a statue in some cathedral porch, he stood motionless, entirely absorbed in the labors of imagination. Suddenly he smiled idiotically, and said:--

"Monsieur, one was for the Marquise de Listomere, the other was for Monsieur's lawyer."

"You are certain of what you say?"

Joseph was speechless. I saw plainly that I must interfere, as I happened to be again in Eugene's apartment.

"Joseph is right," I said.

Eugene turned and looked at me.