Today's Stichomancy for Cary Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Shakespeare's Sonnets by William Shakespeare:

Describe Adonis, and the counterfeit Is poorly imitated after you; On Helen's cheek all art of beauty set, And you in Grecian tires are painted new: Speak of the spring, and foison of the year, The one doth shadow of your beauty show, The other as your bounty doth appear; And you in every blessed shape we know. In all external grace you have some part, But you like none, none you, for constant heart.

LIV

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from New Arabian Nights by Robert Louis Stevenson:

Why not give it up to them?"

"Ah!" replied he, shaking his head, "I have tried that already, Mr. Cassilis; and alas that it should be so! but it is blood they want."

"Huddlestone, that's a little less than fair," said Northmour. "You should mention that what you offered them was upwards of two hundred thousand short. The deficit is worth a reference; it is for what they call a cool sum, Frank. Then, you see, the fellows reason in their clear Italian way; and it seems to them, as indeed it seems to me, that they may just as well have both while they're about it - money and blood together, by George, and no more trouble

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Michael Strogoff by Jules Verne:

Michael hesitated an instant. He did not wish to make use of his podorojna, which would have drawn attention to him, and he was most unwilling also, by giving up his horses, to delay his journey, and yet he must not engage in a struggle which might compromise his mission.

The two reporters looked at him ready to support him should he appeal to them.

"My horses will remain in my carriage," said Michael, but without raising his tone more than would be suitable for a plain Irkutsk merchant.

The traveler advanced towards Michael and laid his hand

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

a photograph of the same boy in a placid state, which I have had (fig. 4) reproduced. In fig. 6, a trace of obliquity in the eyebrows may be detected; but this figure, as well as fig. 7, is given to show the depression of the corners of the mouth, to which subject I shall presently refer.

Few persons, without some practice, can voluntarily act on their grief-muscles; but after repeated trials a considerable number succeed, whilst others never can. The degree of obliquity in the eyebrows, whether assumed voluntarily or unconsciously, differs much in different persons. With some who apparently have unusually strong pyramidal muscles, the contraction of the central

Expression of Emotion in Man and Animals