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Today's Stichomancy for Cary Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Young Forester by Zane Grey:

where I looked or see where I stepped. Still, that caused me no worry. The main thing was that the fire had not yet crossed the brook. I wanted to feel overjoyed at that, but I was too tired. Anyway I was sure the fire had crossed below or above. It would be tearing down on this side presently, and then I would have to crawl into the brook or burn up. It did not matter much which I had to do. Then I grew dizzy, my legs trembled, my feet lost all sense of touching the ground. I could not go much farther. Just then I heard a shout. It was close by. I answered, and heard heavy steps. I peered through the smoky haze. Something dark moved up in the gloom.

"Ho, kid! Thar you are!" I felt a strong arm go round my waist. "Wal, wal!" That was Herky. His voice sounded glad. It roused a strange eagerness in


The Young Forester
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Black Beauty by Anna Sewell:

It was a very heavy train, and as all the cabs were soon engaged ours was called for. There was a party of four; a noisy, blustering man with a lady, a little boy and a young girl, and a great deal of luggage. The lady and the boy got into the cab, and while the man ordered about the luggage the young girl came and looked at me.

"Papa," she said, "I am sure this poor horse cannot take us and all our luggage so far, he is so very weak and worn up. Do look at him."

"Oh! he's all right, miss," said my driver, "he's strong enough."

The porter, who was pulling about some heavy boxes,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The New Machiavelli by H. G. Wells:

of time. They will continue to believe out of existence every consideration that separates them until they have come together. Then they will count the cost, as we two had to do.

I am telling a story, and not propounding theories in this book; and chiefly I am telling of the ideas and influences and emotions that have happened to me--me as a sort of sounding board for my world. The moralist is at liberty to go over my conduct with his measure and say, "At this point or at that you went wrong, and you ought to have done"--so-and-so. The point of interest to the statesman is that it didn't for a moment occur to us to do so-and-so when the time for doing it came. It amazes me now to think how little either

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Resurrection by Leo Tolstoy:

peace of mind and a vindication of that religious teaching in which he was educated, which his reason had long ceased to accept, but without which his whole life was filled with unpleasantness which could all be removed by accepting the teaching.

And so he adopted all the usual sophistries which go to prove that a single human reason cannot know the truth, that the truth is only revealed to an association of men, and can only be known by revelation, that revelation is kept by the church, etc. And so he managed to be present at prayers, masses for the dead, to confess, make signs of the cross in front of icons, with a quiet


Resurrection