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Today's Stichomancy for Catherine Zeta-Jones

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Life and Adventures of Santa Claus by L. Frank Baum:

to him sat the Gnome King, whose people inhabit all that region under the earth's surface, where they guard the precious metals and the jewel stones that lie buried in rock and ore. At his right hand stood the King of the Sound Imps, who had wings on his feet, for his people are swift to carry all sounds that are made. When they are busy they carry the sounds but short distances, for there are many of them; but sometimes they speed with the sounds to places miles and miles away from where they are made. The King of the Sound Imps had an anxious and careworn face, for most people have no consideration for his Imps and, especially the boys and girls, make a great many unnecessary sounds which the Imps are obliged to carry when they might be better employed.


The Life and Adventures of Santa Claus
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Several Works by Edgar Allan Poe:

individuals in the crowd who had found leisure to become aware of the presence of a masked figure which had arrested the attention of no single individual before. And the rumour of this new presence having spread itself whisperingly around, there arose at length from the whole company a buzz, or murmur, expressive of disapprobation and surprise--then, finally, of terror, of horror, and of disgust.

In an assembly of phantasms such as I have painted, it may well be supposed that no ordinary appearance could have excited such sensation. In truth the masquerade licence of the night was nearly unlimited; but the figure in question had out-Heroded Herod,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Enoch Arden, &c. by Alfred Tennyson:

And here the Lord of all the landscape round Ev'n to its last horizon, and of all Who peer'd at him so keenly, follow'd out Tall and erect, but in the middle aisle Reel'd, as a footsore ox in crowded ways Stumbling across the market to his death, Unpitied; for he groped as blind, and seem'd Always about to fall, grasping the pews And oaken finials till he touch'd the door; Yet to the lychgate, where his chariot stood, Strode from the porch, tall and erect again.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Man that Corrupted Hadleyburg by Mark Twain:

fall from its lips--"'You are far from being a bad man--'"

"Name! name! What's his name?"

"'L. Ingoldsby Sargent.'"

"Five elected! Pile up the Symbols! Go on, go on!"

"'You are far from being a bad--'"

"Name! name!"

"'Nicholas Whitworth.'"

"Hooray! hooray! it's a symbolical day!"

Somebody wailed in, and began to sing this rhyme (leaving out "it's") to the lovely "Mikado" tune of "When a man's afraid of a beautiful maid;" the audience joined in, with joy; then, just in


The Man that Corrupted Hadleyburg