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Today's Stichomancy for Celine Dion

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

through the opening at the top of the court had claimed him as his own, and the priestess had come from the inner temple to save him from the polluting hands of worldlings-- to save him as a human offering to their flaming deity.

And had he needed further assurance as to the correctness of his theory he had only to cast his eyes upon the brownish- red stains that caked the stone altar and covered the floor in its immediate vicinity, or to the human skulls which grinned from countless niches in the towering walls.

The priestess led the victim to the altar steps. Again the galleries above filled with watchers, while from an arched


The Return of Tarzan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Origin of Species by Charles Darwin:

generally a slower process than their production: if the appearance and disappearance of a group of species be represented, as before, by a vertical line of varying thickness, the line is found to taper more gradually at its upper end, which marks the progress of extermination, than at its lower end, which marks the first appearance and increase in numbers of the species. In some cases, however, the extermination of whole groups of beings, as of ammonites towards the close of the secondary period, has been wonderfully sudden.

The whole subject of the extinction of species has been involved in the most gratuitous mystery. Some authors have even supposed that as the individual has a definite length of life, so have species a definite


On the Origin of Species
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Three Taverns by Edwin Arlington Robinson:

Where poets would have served and honored him, And saved him, had there been anything to save. But there was nothing, and his tethered range Was only a small desert. Kings of song Are not for thrones in deserts. Towers of sound And flowers of sense are but a waste of heaven Where there is none to know them from the rocks And sand-grass of his own monotony That makes earth less than earth. He could see that, And he could see no more. The captured light That may have been or not, for all he cared,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pierre Grassou by Honore de Balzac:

thought a great draughtsman in academic circles. After that he went to Schinner's, to learn the secrets of the powerful and magnificent color which distinguishes that master. Master and scholars were all discreet; at any rate Pierre discovered none of their secrets. From there he went to Sommervieux' atelier, to acquire that portion of the art of painting which is called composition, but composition was shy and distant to him. Then he tried to snatch from Decamps and Granet the mystery of their interior effects. The two masters were not robbed. Finally Fougeres ended his education with Duval-Lecamus. During these studied and these different transformations Fougeres' habits and ways of life were tranquil and moral to a degree that