The first excerpt represents the past or something you must release, and is drawn from Fairy Tales by Hans Christian Andersen: clothes were very shabby."
"That was Kay," cried Gerda, with a voice of delight. "Oh, now I've found
him!" and she clapped her hands for joy.
"He had a little knapsack at his back," said the Raven.
"No, that was certainly his sledge," said Gerda; "for when he went away he
took his sledge with him."
"That may be," said the Raven; "I did not examine him so minutely; but I know
from my tame sweetheart, that when he came into the court-yard of the palace,
and saw the body-guard in silver, the lackeys on the staircase, he was not the
least abashed; he nodded, and said to them, 'It must be very tiresome to stand
on the stairs; for my part, I shall go in.' The saloons were gleaming with
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Virginibus Puerisque by Robert Louis Stevenson: recognises capabilities for pain and pleasure of which he had
not yet suspected the existence. Falling in love is the one
illogical adventure, the one thing of which we are tempted to
think as supernatural, in our trite and reasonable world. The
effect is out of all proportion with the cause. Two persons,
neither of them, it may be, very amiable or very beautiful,
meet, speak a little, and look a little into each other's
eyes. That has been done a dozen or so of times in the
experience of either with no great result. But on this
occasion all is different. They fall at once into that state
in which another person becomes to us the very gist and
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The third excerpt represents the future or something you must embrace, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]: think--says that the animal when he first gets you in his teeth gives you such
a shake that it paralyzes your nerves--this is, it benumbs all your feelings,
so, that, strange as it may seem, you really do not suffer. So let us hope
that it was that way with this little rabbit."
"But there's a little blood here on one side, Mamma."
"That doesn't always prove suffering, either, Tattine. Soldiers are sometimes
wounded without ever knowing it until they see a little sign of blood
somewhere."
Tattine listened attentively to all this, and was in a measure comforted. It
seemed that Mamma was still able to better things, even though not able to set
everything perfectly right. "Now," Tattine said,--with a little sigh of
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