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Today's Stichomancy for Charisma Carpenter

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Far From the Madding Crowd by Thomas Hardy:

pippin. "Stop your scrubbing a moment." said Bathsheba through the door to her. "I hear something." Maryann suspended the brush. The tramp of a horse was apparent, approaching the front of the building. The paces slackened, turned in at the wicket, and, what was most unusual, came up the mossy path close to the door. The door was tapped with the end of a crop or stick. "What impertinence!" said Liddy, in a low voice. "To ride up the footpath like that! Why didn't he


Far From the Madding Crowd
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

the curb, and she was sitting in it with a lieutenant I had never seen before. They were so engrossed in each other that she didn't see me until I was five feet away.

"Hello, Jordan," she called unexpectedly. "Please come here."

I was flattered that she wanted to speak to me, because of all the older girls I admired her most. She asked me if I was going to the Red Cross and make bandages. I was. Well, then, would I tell them that she couldn't come that day? The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime, and because it seemed romantic to me I have remembered the incident ever since. His name was Jay Gatsby, and I didn't lay eyes on him again for over four


The Great Gatsby
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

that he resorted to force. He thought of seizing a spade and suddenly smiting one or two of them to earth, and so in fair combat showing the advantage of eyes. He went so far with that resolution as to seize his spade, and then he discovered a new thing about himself, and that was that it was impossible for him to hit a blind man in cold blood.

He hesitated, and found them all aware that he had snatched up the spade. They stood all alert, with their heads on one side, and bent ears towards him for what he would do next.

"Put that spade down," said one, and he felt a sort of helpless horror. He came near obedience.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Rescue by Joseph Conrad:

besides he had not the leisure. He had to answer Lingard's questions about the people of the yacht. No, he couldn't say Mrs. Travers was what you may call frightened. She seemed to have something in her mind. Oh, yes! The chaps were in a funk. Would they fight? Anybody would fight when driven to it, funk or no funk. That was his experience. Naturally one liked to have something better than a handspike to do it with. Still-- In the pause Carter seemed to weigh with composure the chances of men with handspikes.

"What do you want to fight us for?" he asked, suddenly.

Lingard started.


The Rescue