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Today's Stichomancy for Charles Lindbergh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Arrow of Gold by Joseph Conrad:

swaying in her instant immobility. It lasted less than a second, then she spun round distractedly and darted at the first door she could see. My own agility was just enough to enable me to grip the back of the fur coat and then catch her round the body before she could wriggle herself out of the sleeves. She was muttering all the time, "No, no, no." She abandoned herself to me just for an instant during which I got her back to the middle of the room. There she attempted to free herself and I let her go at once. With her face very close to mine, but apparently not knowing what she was looking at she repeated again twice, "No - No," with an intonation which might well have brought dampness to my eyes but


The Arrow of Gold
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs:

Tarzan pushed Jane behind the cabin near which they had been standing, and with a quick bound started for Rokoff. The men behind the Russian, at least two of them, raised their rifles and fired at the charging ape-man; but those behind them were otherwise engaged--for up the monkey- ladder in their rear was thronging a hideous horde.

First came five snarling apes, huge, manlike beasts, with bared fangs and slavering jaws; and after them a giant black warrior, his long spear gleaming in the moonlight.

Behind him again scrambled another creature, and of all the horrid horde it was this they most feared--Sheeta, the panther,


The Beasts of Tarzan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

here in California.

The whole neighbourhood of Mount Saint Helena, now so quiet and sylvan, was once alive with mining camps and villages. Here there would be two thousand souls under canvas; there one thousand or fifteen hundred ensconced, as if for ever, in a town of comfortable houses. But the luck had failed, the mines petered out; and the army of miners had departed, and left this quarter of the world to the rattlesnakes and deer and grizzlies, and to the slower but steadier advance of husbandry.

It was with an eye on one of these deserted places, Pine

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Frankenstein by Mary Shelley:

must I find my happiness. Some years ago, when the images which this world affords first opened upon me, when I felt the cheering warmth of summer and heard the rustling of the leaves and the warbling of the birds, and these were all to me, I should have wept to die; now it is my only consolation. Polluted by crimes and torn by the bitterest remorse, where can I find rest but in death? "Farewell! I leave you, and in you the last of humankind whom these eyes will ever behold. Farewell, Frankenstein! If thou wert yet alive and yet cherished a desire of revenge against me, it would be better satiated in my life than in my destruction. But it was not so; thou didst seek my extinction, that I might not


Frankenstein