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Today's Stichomancy for Charles Manson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Sanitary and Social Lectures by Charles Kingsley:

We shall have, I believe and trust, ere another generation has past, model lodging-houses springing up, not in the heart of the town, but on the hills around it; and those will be--economy, as well as science and good government, will compel them to be--not ill-built rows of undrained cottages, each rented for awhile, and then left to run into squalidity and disrepair, but huge blocks of building, each with its common eating-house, bar, baths, washhouses, reading-room, common conveniences of every kind, where, in free and pure country air, the workman will enjoy comforts which our own grandfathers could not command, and at a lower price than that which he now pays for such accommodation as

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Monster Men by Edgar Rice Burroughs:

When Number Thirteen had been mentioned she had always pictured him as a hideous monster, similar to the creature that had seized her in the jungle beside the encampment that first day she had seen the mysterious stranger, of whom she could obtain no information either from her father or von Horn. When she had recently insisted that the same man had been at the head of her father's creatures in an attempt to rescue her, both von Horn and Professor Maxon scoffed at the idea, until at last she was convinced that the fright and the firelight had conspired to conjure in her brain the likeness of one


The Monster Men
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from De Profundis by Oscar Wilde:

of the man who from the bronze of the image of the 'Pleasure that liveth for a moment' has to make the image of the 'Sorrow that abideth for ever' it is incarnate. It could not have been otherwise. At every single moment of one's life one is what one is going to be no less than what one has been. Art is a symbol, because man is a symbol.

It is, if I can fully attain to it, the ultimate realisation of the artistic life. For the artistic life is simply self-development. Humility in the artist is his frank acceptance of all experiences, just as love in the artist is simply the sense of beauty that reveals to the world its body and its soul. In MARIUS THE

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Fantastic Fables by Ambrose Bierce:

editorial. It turned out to be an appeal to the people of the Province of Pang Ki to drive the foreign devils out of the country and burn their dwellings and churches. At this evidence of Mongolian barbarity the White Christians were so greatly incensed that they carried out their original design.

The Honest Cadi

A ROBBER who had plundered a Merchant of one thousand pieces of gold was taken before the Cadi, who asked him if he had anything to say why he should not be decapitated.

"Your Honour," said the Robber, "I could do no otherwise than take the money, for Allah made me that way."


Fantastic Fables