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Today's Stichomancy for Charlton Heston

The first excerpt represents the past or something you must release, and is drawn from The Black Dwarf by Walter Scott:

had hitherto preceded her in a pretty orderly manner, when they came to this wide common, interspersed with marshes and pools of water, scattered in every direction, to plunge into the element in which they delighted. Incensed at the obstinacy with which they defied all her efforts to collect them, and not remembering the precise terms of the contract by which the fiend was bound to obey her commands for a certain space, the sorceress exclaimed, "Deevil, that neither I nor they ever stir from this spot more!" The words were hardly uttered, when, by a metamorphosis as sudden as any in Ovid, the hag and her refractory flock were converted into stone, the angel whom she served, being a strict formalist,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

was ranged against another formidable rival--the Parseval. But the latter also failed to hold its own against the Spanish invention, inasmuch as the Astra-Torres built for the British authorities exceeded a speed of 50 miles per hour in the official tests. This vessel is still doing valuable duty, being attached to the British air-service in France.

The achievements of the British vessel were not lost upon the French Government, which forthwith placed an order for a huge vessel of 812,200 cubic feet capacity, equipped with motors developing 1,000 horse-power, which it was confidently expected would enable a speed of 60 miles per hour to be attained. Thus

The third excerpt represents the future or something you must embrace, and is drawn from The Deserted Woman by Honore de Balzac:

very strongly now. In spite of herself, she watched M. de Nueil's expressive face, and admired the noble countenance of a soul, unbroken as yet by the cruel discipline of the life of the world, unfretted by continual scheming to gratify personal ambition and vanity. Gaston was in the flower of his youth, he impressed her as a man with something in him, unaware as yet of the great career that lay before him. So both these two made reflections most dangerous for their peace of mind, and both strove to conceal their thoughts. M. de Nueil saw in the Vicomtesse a rare type of woman, always the victim of her perfections and tenderness; her graceful beauty is the least of her charms for those who are privileged to know the infinite of feeling