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Today's Stichomancy for Chow Yun Fat

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The School For Scandal by Richard Brinsley Sheridan:

TRIP. Why nothing capital of my master's wardrobe has drop'd lately--but I could give you a mortgage on some of his winter Cloaths with equity of redemption before November or--you shall have the reversion--of the French velvet, or a post obit on the Blue and Silver--these I should think Moses--with a few Pair of Point Ruffles as a collateral security--hey, my little Fellow?

MOSES. Well well--we'll talk presently--we detain the Gentlemen----

SIR OLIVER. O pray don't let me interrupt Mr. Trip's Negotiation.

TRIP. Harkee--I heard the Bell--I believe, Gentlemen I can now introduce you--don't forget the annuity little Moses.

SIR OLIVER. If the man be a shadow of his Master this is the Temple

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Off on a Comet by Jules Verne:

were a foot and leg encased in a tight-fitting boot, was juggling deftly with the islands of Sicily, Sardinia, and Corsica; Prussia, a formidable hatchet imbedded in the heart of Germany, its edge just grazing the frontiers of France; whilst France itself suggested a vigorous torso with Paris at its breast.

All at once Ben Zoof breaks the silence: "Montmartre! I see Montmartre!" And, smile at the absurdity as others might, nothing could induce the worthy orderly to surrender his belief that he could actually make out the features of his beloved home.

The only individual whose soul seemed unstirred by the approaching earth was Palmyrin Rosette. Leaning over the side of the car, he kept his eyes fixed

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Shadow out of Time by H. P. Lovecraft:

of aisles and corridors - recognising now and then some familiar shelf, and vaguely annoyed by the acoustic conditions which made my footfalls echo incongruously in these catacombs. The very prints of my shoes behind me in the millennially untrodden dust made me shudder. Never before, if my mad dreams held anything of truth, had human feet pressed upon those immemorial pavements.

Of the particular goal of my insane racing, my conscious mind held no hint. There was, however, some force of evil potency pulling at my dazed will and buried recollection, so that I vaguely felt I was not running at random.


Shadow out of Time
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Romeo and Juliet by William Shakespeare:

That murdered me, I would forget it feine, But oh, it presses to my memory, Like damned guilty deedes to sinners minds, Tybalt is dead and Romeo banished: That banished, that one word banished, Hath slaine ten thousand Tibalts: Tibalts death Was woe inough if it had ended there: Or if sower woe delights in fellowship, And needly will be rankt with other griefes, Why followed not when she said Tibalts dead, Thy Father or thy Mother, nay or both,


Romeo and Juliet