| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Enoch Arden, &c. by Alfred Tennyson: Sat often in the seaward-gazing gorge,
A shipwreck'd sailor, waiting for a sail:
No sail from day to day, but every day
The sunrise broken into scarlet shafts
Among the palms and ferns and precipices;
The blaze upon the waters to the east;
The blaze upon his island overhead;
The blaze upon the waters to the west;
Then the great stars that globed themselves in Heaven,
The hollower-bellowing ocean, and again
The scarlet shafts of sunrise--but no sail.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Return of the Native by Thomas Hardy: an individual was there, the business done being chiefly
with travellers who passed the inn on long journeys,
and these had now gone on their way. Venn went to the
public room, called for a mug of ale, and inquired
of the maid in an indifferent tone if Mr. Wildeve was at home.
Thomasin sat in an inner room and heard Venn's voice.
When customers were present she seldom showed herself,
owing to her inherent dislike for the business;
but perceiving that no one else was there tonight she
came out.
"He is not at home yet, Diggory," she said pleasantly.
 Return of the Native |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot: of the affections than of the understanding, more of your despised
Straight Lines than of your belauded Circles. But enough of this.
Look yonder. Do you know that building?
I looked, and afar off I saw an immense Polygonal structure, in which
I recognized the General Assembly Hall of the States of Flatland,
surrounded by dense lines of Pentagonal buildings at right angles
to each other, which I knew to be streets; and I perceived that
I was approaching the great Metropolis.
"Here we descend," said my Guide. It was now morning,
the first hour of the first day of the two thousandth year of our era.
Acting, as was their wont, in strict accordance with precedent,
 Flatland: A Romance of Many Dimensions |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Economist by Xenophon: first care that there shall be orchards and gardens, parks and
"paradises," as they are called, full of all fair and noble products
which the earth brings forth; and within these chiefly he spends his
days, when the season of the year permits.
Crit. To be sure, Socrates, it is a natural and necessary conclusion
that when the king himself spends so large a portion of his time
there, his paradises should be furnished to perfection with trees and
all else beautiful that earth brings forth.
Soc. And some say, Critobulus, that when the king gives gifts, he
summons in the first place those who have shown themselves brave
warriors, since all the ploughing in the world were but small gain in
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