Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Chris Rock

The first excerpt represents the past or something you must release, and is drawn from Tom Grogan by F. Hopkinson Smith:

by a big gray horse driven by a boy. A gang of men were filling these buckets, and a number of teams being loaded with their dumped contents. The captain of the scow was on the dock, holding the guy.

At the foot of the derrick, within ten feet of Babcock, stood a woman perhaps thirty-five years of age, with large, clear gray eyes, made all the more luminous by the deep, rich color of her sunburnt skin. Her teeth were snow-white, and her light brown hair was neatly parted over a wide forehead. She wore a long ulster half concealing her well-rounded, muscular figure, and a black silk hood rolled back from her face, the strings falling

The second excerpt represents the present or the deciding factor of the moment, and is drawn from In the Cage by Henry James:

shifting almost with violence on his seat, he let it altogether fall.

CHAPTER XVII

In spite of this drop, if not just by reason of it, she felt as if Lady Bradeen, all but named out, had popped straight up; and she practically betrayed her consciousness by waiting a little before she rejoined: "Cleverer than who?"

"Well, if I wasn't afraid you'd think I swagger, I should say--than anybody! If you leave your place there, where shall you go?" he more gravely asked.

"Oh too far for you ever to find me!"

The third excerpt represents the future or something you must embrace, and is drawn from The New Machiavelli by H. G. Wells:

of the extent of our ignorance and uncertainty in these matters. We evaded them elaborately with an assumption of exhaustive knowledge.

We certainly had no shyness about theology. We marked the emancipation of our spirits from the frightful teachings that had oppressed our boyhood, by much indulgence in blasphemous wit. We had a secret literature of irreverent rhymes, and a secret art of theological caricature. Britten's father had delighted his family by reading aloud from Dr. Richard Garnett's TWILIGHT OF THE GODS, and Britten conveyed the precious volume to me. That and the BAB BALLADS were the inspiration of some of our earliest lucubrations.

For an imaginative boy the first experience of writing is like a