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Today's Stichomancy for Chris Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Scaramouche by Rafael Sabatini:

of starch they hung like weeping willows over hands that were fine and delicate. His breeches were of plain black cloth, and his black stockings were of cotton - matters entirely out of harmony with his magnificent coat. His shoes, stout and serviceable, were decked with buckles of cheap, lack-lustre paste. But for his engaging and ingenuous countenance, Andre-Louis must have set him down as a knight of that order which lives dishonestly by its wits. As it was, he suspended judgment whilst pushing investigation further by a study of the girl. At the outset, be it confessed that it was a study that attracted him prodigiously. And this notwithstanding the fact that, bookish and studious as were his ways, and in

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lily of the Valley by Honore de Balzac:

from which, in after years, they gushed forth upon my life. In many characters the habit of trembling relaxes the fibres and begets fear, and fear ends in submission; hence, a weakness which emasculates a man, and makes him more or less a slave. But in my case these perpetual tortures led to the development of a certain strength, which increased through exercise and predisposed my spirit to the habit of moral resistance. Always in expectation of some new grief--as the martyrs expected some fresh blow--my whole being expressed, I doubt not, a sullen resignation which smothered the grace and gaiety of childhood, and gave me an appearance of idiocy which seemed to justify my mother's threatening prophecies. The certainty of injustice


The Lily of the Valley
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

Bradley followed up with a rush and the intention to clean up the room in record time; but he had reckoned without the opening in the roof. Two were down and a great wailing and moaning was arising when reinforcements appeared from above. Bradley did not see them; but the girl did, and though she cried out a warning, it came too late for him to avoid a large Wieroo who dived headforemost for him, striking him between the shoulders and bearing him to the floor. Instantly a dozen more were piling on top of him. His pistol was wrenched from its holster and he was securely pinioned down by the weight of numbers.

At a word from the Wieroo of the yellow slashing who evidently


Out of Time's Abyss
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Before Adam by Jack London:

forest whither he had finally retreated. He was looking back at us, his writhing lips lifted clear of the very roots of his huge fangs, his hair bristling and his tail lashing. He gave one last snarl and slid from view among the trees.

And then such a chattering as went up. We swarmed out of our holes, examining the marks his claws had made on the crumbling rock of the bluff, all of us talking at once. One of the two Folk who had been caught in the double cave was part-grown, half child and half youth. They had come out proudly from their refuge, and we