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Today's Stichomancy for Christian Bale

The first excerpt represents the past or something you must release, and is drawn from The Two Noble Kinsmen by William Shakespeare:

sometime a devided sigh, martyrd as 'twer i'th deliverance, will breake from one of them; when the other presently gives it so sweete a rebuke, that I could wish my selfe a Sigh to be so chid, or at least a Sigher to be comforted.

WOOER.

I never saw 'em.

IAILOR.

The Duke himselfe came privately in the night,

[Enter Palamon, and Arcite, above.]

and so did they: what the reason of it is, I know not: Looke,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Essays of Travel by Robert Louis Stevenson:

clear up the mystery; it may be they were automata; or it may be (and this is the theory to which I lean myself) that this is all another chapter of Heine's 'Gods in Exile'; that the upright old man with the eyebrows was no other than Father Jove, and the young dragoon with the taste for music either Apollo or Mars.

MORALITY

Strange indeed is the attraction of the forest for the minds of men. Not one or two only, but a great chorus of grateful voices have arisen to spread abroad its fame. Half the famous writers of modern France have had their word to say about Fontainebleau. Chateaubriand, Michelet, Beranger, George Sand, de Senancour,

The third excerpt represents the future or something you must embrace, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

are permitted to know them, and all popular ideas about them are false. Thus, for instance, the truly philosophical combination of a bold, exuberant spirituality which runs at presto pace, and a dialectic rigour and necessity which makes no false step, is unknown to most thinkers and scholars from their own experience, and therefore, should any one speak of it in their presence, it is incredible to them. They conceive of every necessity as troublesome, as a painful compulsory obedience and state of constraint; thinking itself is regarded by them as something slow and hesitating, almost as a trouble, and often enough as "worthy of the SWEAT of the noble"--but not at all as something easy and


Beyond Good and Evil