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Today's Stichomancy for Christian Bale

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Some Reminiscences by Joseph Conrad:

despotic, persuasive, and often, in its texture, romantic.

And often romantic!. . .The matter in hand, however, is to keep these reminiscences from turning into confessions, a form of literary activity discredited by Jean Jacques Rousseau on account of the extreme thoroughness he brought to the work of justifying his own existence; for that such was his purpose is palpably, even grossly, visible to an unprejudiced eye. But then, you see, the man was not a writer of fiction. He was an artless moralist, as is clearly demonstrated by his anniversaries being celebrated with marked emphasis by the heirs of the French Revolution, which was not a political movement at all, but a great outburst of


Some Reminiscences
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

- Yes, children believe plenty of queer things. I suppose all of you have had the pocket-book fever when you were little? - What do I mean? Why, ripping up old pocket-books in the firm belief that bank-bills to an immense amount were hidden in them. - So, too, you must all remember some splendid unfulfilled promise of somebody or other, which fed you with hopes perhaps for years, and which left a blank in your life which nothing has ever filled up. - O. T. quitted our household carrying with him the passionate regrets of the more youthful members. He was an ingenious youngster; wrote wonderful copies, and carved the two initials given above with great skill on all available surfaces. I thought, by the way, they


The Autocrat of the Breakfast-Table
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Duchesse de Langeais by Honore de Balzac:

have a courtesy of their own. . . . There, take me down to my carriage," she added, when she had kissed her niece.

"Then may I go to him in disguise, dear aunt?"

"Why--yes. The story can always be denied," said the old Princess.

This was the one idea which the Duchess had clearly grasped in the sermon. When Mme de Chauvry was seated in the corner of her carriage, Mme de Langeais bade her a graceful adieu and went up to her room. She was quite happy again.

"My person would have snared his heart; my aunt is right; a man cannot surely refuse a pretty woman when she understands how to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

MARLOW. May I die, sir, if I ever----

HARDCASTLE. I tell you, she don't dislike you; and as I'm sure you like her----

MARLOW. Dear sir--I protest, sir----

HARDCASTLE. I see no reason why you should not be joined as fast as the parson can tie you.

MARLOW. But hear me, sir--

HARDCASTLE. Your father approves the match, I admire it; every moment's delay will be doing mischief. So--

MARLOW. But why won't you hear me? By all that's just and true, I never gave Miss Hardcastle the slightest mark of my attachment, or even


She Stoops to Conquer