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Today's Stichomancy for Christian Bale

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fairy Tales by Hans Christian Andersen:

the case, to get a return invitation from the others. One half of the company was already seated at the card-table, the other half awaited the result of the stereotype preliminary observation of the lady of the house:

"Now let us see what we can do to amuse ourselves."

They had got just so far, and the conversation began to crystallise, as it could but do with the scanty stream which the commonplace world supplied. Amongst other things they spoke of the middle ages: some praised that period as far more interesting, far more poetical than our own too sober present; indeed Councillor Knap defended this opinion so warmly, that the hostess declared immediately on his side, and both exerted themselves with unwearied eloquence. The Councillor boldly declared the time of King Hans to be the


Fairy Tales
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Redheaded Outfield by Zane Grey:

And he swung hard on the first pitch. The ball glanced like a streak straight at Grace, took a vicious jump, and seemed to flirt with the infielder's hands, only to evade them.

Malloy fouled a pitch and the ball hit Sam Wickhart square over the eye. Sam's eye popped out and assumed the proportions and color of a huge plum.

``Hey!'' yelled Blandy, the rival catcher. ``Air you ketchin' with yer mug?''

Sam would not delay the game nor would he don


The Redheaded Outfield
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Virginian by Owen Wister:

screeched that awful I run out of the bunk-house; and he jus' went over the fence and took down Sunk Creek shoutin' fire, right along. He has never come back."

"There's a hen over there now that has no judgment," I said, indicating Em'ly. She had got herself outside the house, and was on the bars of a corral, her vociferations reduced to an occasional squawk. I told him about the potatoes.

"I never knowed her name before," said he. "That runaway rooster, he hated her. And she hated him same as she hates 'em all."

"I named her myself," said I, "after I came to notice her particularly. There's an old maid at home who's charitable, and


The Virginian
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Under the Red Robe by Stanley Weyman:

I stood a moment only, but I marked all, and noted how the road reached the house, and which windows were open to attack; then I turned and hastened back. Fortunately, I met no one between the house and the village, and was able to enter my host's with an air of the most complete innocence.

Short as had been my absence, however, I found things altered there. Round the door lounged three strangers--stout, well-armed fellows, whose bearing, as they loitered and chattered, suggested a curious mixture of smugness and independence. Half a dozen pack-horses stood tethered to the post in front of the house; and the landlord's manner, from being rude and churlish only, had