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Today's Stichomancy for Christie Brinkley

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Plutarch's Lives by A. H. Clough:

when they are grown old. The Athenians, when they built their Hecatompedon, turned those mules loose to feed freely, which they had observed to have done the hardest labor. One of these (they say) came once of itself to offer its service, and ran along with, nay, and went before, the teams which drew the wagons up to the acropolis, as if it would incite and encourage them to draw more stoutly; upon which there passed a vote, that the creature should be kept at the public charge even till it died. The graves of Cimon's horses, which thrice won the Olympian races, are yet to be seen close by his own monument. Old Xanthippus, too, (amongst many others who buried the dogs they had bred up,) entombed his which swam after his galley to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Damnation of Theron Ware by Harold Frederic:

the last shots of which were fired while he was still in petticoats. Certainly his second reason, however, would have been that the Irish were on the other side.

He had never before had occasion to formulate, even in his own thoughts, this tacit race and religious aversion in which he had been bred. It rose now suddenly in front of him, as he sauntered from patch to patch of sunlight under the elms, like some huge, shadowy, and symbolic monument. He looked at it with wondering curiosity, as at something he had heard of all his life, but never seen before-- an abhorrent spectacle, truly! The foundations upon


The Damnation of Theron Ware
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Lost Princess of Oz by L. Frank Baum:

Lavender Bear. "He can only tell us what already HAS happened."

Again, they were grave and thoughtful. But after a time, Betsy said in a hesitating voice, "Hank is a great fighter. Perhaps HE could conquer the magician."

The Mule turned his head to look reproachfully at his old friend, the young girl. "Who can fight against magic?" he asked.

"The Cowardly Lion could," said Dorothy.

The Lion, who was lying with his front legs spread out, his chin on his paws, raised his shaggy head. "I can fight when I'm not afraid," said he calmly, "but the mere mention of a fight sets me to trembling."


The Lost Princess of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Varieties of Religious Experience by William James:

fruits."[195]

[195] Speculum Perfectionis, ed. P. Sabatier, Paris, 1898, pp. 10, 13.

But beyond this more worthily athletic attitude involved in doing and being, there is, in the desire of not having, something profounder still, something related to that fundamental mystery of religious experience, the satisfaction found in absolute surrender to the larger power. So long as any secular safeguard is retained, so long as any residual prudential guarantee is clung to, so long the surrender is incomplete, the vital crisis is not passed, fear still stands sentinel, and mistrust of the