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Today's Stichomancy for Christopher Lee

The first excerpt represents the past or something you must release, and is drawn from Macbeth by William Shakespeare:

What man, ne're pull your hat vpon your browes: Giue sorrow words; the griefe that do's not speake, Whispers the o're-fraught heart, and bids it breake

Macd. My Children too? Ro. Wife, Children, Seruants, all that could be found

Macd. And I must be from thence? My wife kil'd too? Rosse. I haue said

Malc. Be comforted. Let's make vs Med'cines of our great Reuenge, To cure this deadly greefe

Macd. He ha's no Children. All my pretty ones?


Macbeth
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Market-Place by Harold Frederic:

of rubber trees all round that's everybody's property. How can a man pay even the interest on his purchase money, supposing he's bought a rubber plantation, when he has to compete with people who've paid no purchase money at all, but just get out as much as they like from the free forest? You must know that that is so."

Tavender nodded eloquently. "Oh yes, I know that is so. You can prove it by me."

Thorpe grinned a little. "As it happens, that aint what I need to have you prove," he said, dryly. "Now WE know that a rubber property is no good--but London doesn't know it.


The Market-Place
The third excerpt represents the future or something you must embrace, and is drawn from The Land of Footprints by Stewart Edward White:

notebook, tobacco, and matches bestowed craftily in the crown of the cork helmet escaped. The visible world was dark and contracted. It seemed that nothing but rain could anywhere exist; as though this storm must fill all space to the horizon and beyond. Then it swept on and we found ourselves steaming in bright sunlight. The dry flat prairie (if this was the first shower for some time) had suddenly become a lake from the surface of which projected bushes and clumps of grass. Every game trail had become the water course of a swiftly running brook.

But most pleasant were the evenings at Juja, when, safe indoors, we sat and listened to the charge of the storm's wild horsemen,