| The first excerpt represents the past or something you must release, and is drawn from Maggie: A Girl of the Streets by Stephen Crane: passed into shadows.
Turning, Maggie contemplated the dark, dust-stained walls, and
the scant and crude furniture of her home. A clock, in a
splintered and battered oblong box of varnished wood, she suddenly
regarded as an abomination. She noted that it ticked raspingly.
The almost vanished flowers in the carpet-pattern, she conceived to
be newly hideous. Some faint attempts she had made with blue
ribbon, to freshen the appearance of a dingy curtain, she now saw
to be piteous.
She wondered what Pete dined on.
She reflected upon the collar and cuff factory. It began to
 Maggie: A Girl of the Streets |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Passionate Pilgrim by William Shakespeare: Which is to me some praise, that I thy parts admire:
Thy eye Jove's lightning seems, thy voice his dreadful thunder,
Which, not to anger bent, is music and sweet fire.
Celestial as thou art, O do not love that wrong,
To sing heaven's praise with such an earthly tongue.
VI.
Scarce had the sun dried up the dewy morn,
And scarce the herd gone to the hedge for shade,
When Cytherea, all in love forlorn,
A longing tarriance for Adonis made
Under an osier growing by a brook,
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The third excerpt represents the future or something you must embrace, and is drawn from Othello by William Shakespeare: Enter Cassio.
As he shall smile, Othello shall go mad:
And his vnbookish Ielousie must conserue
Poore Cassio's smiles, gestures, and light behauiours
Quite in the wrong. How do you Lieutenant?
Cas. The worser, that you giue me the addition,
Whose want euen killes me
Iago. Ply Desdemona well, and you are sure on't:
Now, if this Suit lay in Bianca's dowre,
How quickely should you speed?
Cas. Alas poore Caitiffe
 Othello |