| The first excerpt represents the past or something you must release, and is drawn from Herland by Charlotte Gilman: Of course we didn't believe the story--but yet!
"There is no such cloth made by any of these local tribes,"
I announced, examining those rags with great care. "Somewhere
up yonder they spin and weave and dye--as well as we do."
"That would mean a considerable civilization, Van. There
couldn't be such a place--and not known about."
"Oh, well, I don't know. What's that old republic up in the
Pyrenees somewhere--Andorra? Precious few people know anything
about that, and it's been minding its own business for a thousand
years. Then there's Montenegro--splendid little state--you could
lose a dozen Montenegroes up and down these great ranges."
 Herland |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Lost Princess of Oz by L. Frank Baum: "Well, where is my dishpan?" demanded the woman.
"It is lost, but it must be found. Unfortunately, we have no
policemen or detectives to unravel the mystery, so we must employ
other means to regain the lost article. Cayke must first write a
Proclamation and tack it to the door of her house, and the
Proclamation must read that whoever stole the jeweled dishpan must
return it at once."
"But suppose no one returns it," suggested Cayke.
"Then," said the Frogman, "that very fact will be proof that no one
has stolen it."
Cayke was not satisfied, but the other Yips seemed to approve the plan
 The Lost Princess of Oz |
The third excerpt represents the future or something you must embrace, and is drawn from An Old Maid by Honore de Balzac: was courteous and benign on the side of the chevalier; but du
Bousquier showed less ceremony on his, though still preserving the
outward appearances demanded by society, for he did not wish to be
driven from the place. They themselves fully understood each other;
but in spite of the shrewd observation which provincials bestow on the
petty interests of their own little centre, no one in the town
suspected the rivalry of these two men. Monsieur le Chevalier de
Valois occupied a vantage-ground: he had never asked for the hand of
Mademoiselle Cormon; whereas du Bousquier, who entered the lists soon
after his rejection by the most distinguished family in the place, had
been refused. But the chevalier believed that his rival had still such
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