Today's Stichomancy for Chuck Norris

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Maitre Cornelius by Honore de Balzac:

are the jewels? The country-folks coming into town early saw him on the roof. He must have had accomplices, who waited for him by that embankment you have been making. Ah, sire, you are the accomplice of fellows who come in boats; crack! they get off with everything, and leave no traces! But we hold this fellow as a key, the bold scoundrel! ah! a fine morsel he'll be for the gallows. With a little bit of QUESTIONING beforehand, we shall know all. Why, the glory of your reign is concerned in it! there ought not to be robbers in the land under so great a king."

The king was not listening. He had fallen into one of those gloomy meditations which became so frequent during the last years of his

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Protagoras by Plato:

lesser Hippias contain discussions of the Poets, which offer a parallel to the ironical criticism of Simonides, and are conceived in a similar spirit. The affinity of the Protagoras to the Meno is more doubtful. For there, although the same question is discussed, 'whether virtue can be taught,' and the relation of Meno to the Sophists is much the same as that of Hippocrates, the answer to the question is supplied out of the doctrine of ideas; the real Socrates is already passing into the Platonic one. At a later stage of the Platonic philosophy we shall find that both the paradox and the solution of it appear to have been retracted. The Phaedo, the Gorgias, and the Philebus offer further corrections of the teaching of the Protagoras; in all of them the doctrine that virtue is pleasure, or that

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Plutarch's Lives by A. H. Clough:

counsels and actions of Fabius, which, before the battle, they had branded as cowardice and fear, now, in the other extreme they accounted to have been more than human wisdom; as though nothing but a divine power of intellect could have seen so far, and foretold, contrary to the judgment of all others, a result which, even now it had arrived, was hardly credible. In him, therefore, they placed their whole remaining hopes; his wisdom was the sacred altar and temple to which they fled for refuge, and his counsels, more than anything, preserved them from dispersing and deserting their city, as in the time when the Gauls took possession of Rome. He, whom they esteemed fearful and pusillanimous when they were, as they thought, in a prosperous condition, was now the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Treasure Island by Robert Louis Stevenson:

Treasure Island