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Today's Stichomancy for Chuck Norris

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Eryxias by Platonic Imitator:

all these, in your opinion, necessary in order to carry out the work?

CRITIAS: We may fairly suppose such to be the case.

SOCRATES: And if a man has food and drink and clothes and the other things which are useful to the body, would he need gold or silver or any other means by which he could procure that which he now has?

CRITIAS: I do not think so.

SOCRATES: Then you consider that a man never wants any of these things for the use of the body?

CRITIAS: Certainly not.

SOCRATES: And if they appear useless to this end, ought they not always to appear useless? For we have already laid down the principle that things

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

will then be classed with the records of misers and monsters, and read only by historical students of social pathology.

Then consider Shakespear's kings and lords and gentlemen! Would even John Ball or Jeremiah complain that they are flattered? Surely a more mercilessly exposed string of scoundrels never crossed the stage. The very monarch who paralyzes a rebel by appealing to the divinity that hedges a king, is a drunken and sensual assassin, and is presently killed contemptuously before our eyes in spite of his hedge of divinity. I could write as convincing a chapter on Shakespear's Dickensian prejudice against the throne and the nobility and gentry in general as Mr Harris or Ernest Crosbie on the other side. I could

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson:

swamping at their moorings.

The shore was thronged with men in oilskin clothes and by women with shawls over their heads. Aunt Jane, who always felt responsible for whatever went on in the elements, sat in-doors with one lid closed, wincing at every flash, and watching the universe with the air of a coachman guiding six wild horses.

Just after the storm had passed its height, two veritable wild horses were reined up at the door, and Philip burst in, his usual self-composure gone.

"Emilia is out sailing!" he exclaimed,--"alone with Lambert's boatman, in this gale. They say she was bound for

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Autobiography of Benjamin Franklin by Benjamin Franklin:

This was to teach me method in the arrangement of thoughts. By comparing my work afterwards with the original, I discovered many faults and amended them; but I sometimes had the pleasure of fancying that, in certain particulars of small import, I had been lucky enough to improve the method or the language, and this encouraged me to think I might possibly in time come to be a tolerable English writer, of which I was extremely ambitious. My time for these exercises and for reading was at night, after work or before it began in the morning, or on Sundays, when I contrived to be in the printing-house alone, evading as much as I could the common attendance on public worship which my father


The Autobiography of Benjamin Franklin