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Today's Stichomancy for Chuck Norris

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Silas Marner by George Eliot:

as long as he lives, and nobody shall ever come between him and me."

"But you must make sure, Eppie," said Silas, in a low voice-- "you must make sure as you won't ever be sorry, because you've made your choice to stay among poor folks, and with poor clothes and things, when you might ha' had everything o' the best."

His sensitiveness on this point had increased as he listened to Eppie's words of faithful affection.

"I can never be sorry, father," said Eppie. "I shouldn't know what to think on or to wish for with fine things about me, as I haven't been used to. And it 'ud be poor work for me to put on


Silas Marner
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Memories and Portraits by Robert Louis Stevenson:

the sea-beholding city in the plain. From many points in the moss you may see at one glance its whole course and that of all its tributaries; the geographer of this Lilliput may visit all its corners without sitting down, and not yet begin to be breathed; Shearer's Knowe and Halkerside are but names of adjacent cantons on a single shoulder of a hill, as names are squandered (it would seem to the in-expert, in superfluity) upon these upland sheepwalks; a bucket would receive the whole discharge of the toy river; it would take it an appreciable time to fill your morning bath; for the most part, besides, it soaks unseen through the moss; and yet for the sake of auld lang syne, and the figure of a certain GENIUS LOCI, I

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from King Lear by William Shakespeare:

I' th' way toward Dover, do it for ancient love; And bring some covering for this naked soul, Who I'll entreat to lead me. Old Man. Alack, sir, he is mad! Glou. 'Tis the time's plague when madmen lead the blind. Do as I bid thee, or rather do thy pleasure. Above the rest, be gone. Old Man. I'll bring him the best 'parel that I have, Come on't what will. Exit. Glou. Sirrah naked fellow- Edg. Poor Tom's acold. [Aside] I cannot daub it further.


King Lear
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Charmides by Plato:

there is no early independent testimony by which they are supported or with which they can be compared.

IV. There is another subject to which I must briefly call attention, lest I should seem to have overlooked it. Dr. Henry Jackson, of Trinity College, Cambridge, in a series of articles which he has contributed to the Journal of Philology, has put forward an entirely new explanation of the Platonic 'Ideas.' He supposes that in the mind of Plato they took, at different times in his life, two essentially different forms:--an earlier one which is found chiefly in the Republic and the Phaedo, and a later, which appears in the Theaetetus, Philebus, Sophist, Politicus, Parmenides, Timaeus. In the first stage of his philosophy Plato attributed Ideas to