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Today's Stichomancy for Chuck Norris

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cousin Betty by Honore de Balzac:

State, he will rob private persons, commit murder--who knows?"

"Oh, Lisbeth!" cried the Baroness, "keep such thoughts to yourself."

At this moment Louise came up to the family group, now increased by the arrival of the two Hulot children and little Wenceslas to see if their grandmother's pockets did not contain some sweetmeats.

"What is it, Louise?" asked one and another.

"A man who wants to see Mademoiselle Fischer."

"Who is the man?" asked Lisbeth.

"He is in rags, mademoiselle, and covered with flue like a mattress- picker; his nose is red, and he smells of brandy.--He is one of those men who work half of the week at most."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

The horrible night that he had passed had left phantoms behind it. Suddenly there had fallen upon his brain that tiny scarlet speck that makes men mad. The picture had not changed. It was folly to think so.

Yet it was watching him, with its beautiful marred face and its cruel smile. Its bright hair gleamed in the early sunlight. Its blue eyes met his own. A sense of infinite pity, not for himself, but for the painted image of himself, came over him. It had altered already, and would alter more. Its gold would wither into grey. Its red and white roses would die. For every sin that he committed, a stain would fleck and wreck its fairness. But he would not sin. The picture, changed or unchanged, would be


The Picture of Dorian Gray
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Salome by Oscar Wilde:

ses abominations, dites-lui de venir, car le Seigneur a son fleau dans la main.

SALOME. Mais il est terrible, il est terrible.

LE JEUNE SYRIEN. Ne restez pas ici, princesse, je vous en prie.

SALOME. Ce sont les yeux surtout qui sont terribles. On dirait des trous noirs laisses par des flambeaux sur une tapisserie de Tyr. On dirait des cavernes noires ou demeurent des dragons, des cavernes noires d'Egypte ou les dragons trouvent leur asile. On dirait des lacs noirs troubles par des lunes fantastiques . . . Pensez-vous qu'il parlera encore?

LE JEUNE SYRIEN. Ne restez pas ici, princesse! Je vous prie de ne

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

evening, a few weeks after their return from Grand Isle. They were alone together. The boys were being put to bed; the patter of their bare, escaping feet could be heard occasionally, as well as the pursuing voice of the quadroon, lifted in mild protest and entreaty. Mrs. Pontellier did not wear her usual Tuesday reception gown; she was in ordinary house dress. Mr. Pontellier, who was observant about such things, noticed it, as he served the soup and handed it to the boy in waiting.

"Tired out, Edna? Whom did you have? Many callers?" he asked. He tasted his soup and began to season it with pepper, salt, vinegar, mustard--everything within reach.


Awakening & Selected Short Stories