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Today's Stichomancy for Chuck Norris

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

whispering without a wind. Then came a stronger swell of those familiar tones, heard daily in the sunshine at Salem village, but never until now from a cloud of night There was one voice of a young woman, uttering lamentations, yet with an uncertain sorrow, and entreating for some favor, which, perhaps, it would grieve her to obtain; and all the unseen multitude, both saints and sinners, seemed to encourage her onward.

"Faith!" shouted Goodman Brown, in a voice of agony and desperation; and the echoes of the forest mocked him, crying, "Faith! Faith!" as if bewildered wretches were seeking her all through the wilderness.


Mosses From An Old Manse
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Hermione's Little Group of Serious Thinkers by Don Marquis:

And the people we visited weren't all that grateful. So VERY OFTEN the Masses are not.

One dreadful woman, you know, claimed that she couldn't keep her rooms -- she had two rooms, and she cooked and washed and slept and sewed in them and there were five in the family -- claimed that she couldn't keep her rooms in any better shape because they were so out of repair and the plumb- ing was bad and the windows leaked and all that sort of thing, you know, and one of the rooms was ENTIRELY dark.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson:

journey, to prepare the night's lodging. This seems to be his favourite image; it reappears like the upas-tree in the early work of Coleridge: we may judge with what childish eyes he looked upon the world, if one of the sights which most impressed him was that of a man going to order dinner.

Although they are not inspired by any deeper motive than the common run of contemporaneous drawing-room verses, those of Charles of Orleans are executed with inimitable lightness and delicacy of touch. They deal with floating and colourless sentiments, and the writer is never greatly moved, but he seems always genuine. He makes no attempt to set off thin

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Charmides and Other Poems by Oscar Wilde:

Sweetly she grew.

Coffin-board, heavy stone, Lie on her breast, I vex my heart alone, She is at rest.

Peace, Peace, she cannot hear Lyre or sonnet, All my life's buried here, Heap earth upon it.

AVIGNON

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