| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Around the World in 80 Days by Jules Verne: There was but little conversation in the car, and soon many of the passengers
were overcome with sleep. Passepartout found himself beside the detective;
but he did not talk to him. After recent events, their relations with each
other had grown somewhat cold; there could no longer be mutual sympathy or
intimacy between them. Fix's manner had not changed; but Passepartout was very
reserved, and ready to strangle his former friend on the slightest provocation.
Snow began to fall an hour after they started, a fine snow, however,
which happily could not obstruct the train; nothing could be seen
from the windows but a vast, white sheet, against which the smoke
of the locomotive had a greyish aspect.
At eight o'clock a steward entered the car and announced that
 Around the World in 80 Days |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cratylus by Plato: CRATYLUS: Certainly, Socrates, I think so.
SOCRATES: Then let us seek the true beauty: not asking whether a face is
fair, or anything of that sort, for all such things appear to be in a flux;
but let us ask whether the true beauty is not always beautiful.
CRATYLUS: Certainly.
SOCRATES: And can we rightly speak of a beauty which is always passing
away, and is first this and then that; must not the same thing be born and
retire and vanish while the word is in our mouths?
CRATYLUS: Undoubtedly.
SOCRATES: Then how can that be a real thing which is never in the same
state? for obviously things which are the same cannot change while they
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