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Today's Stichomancy for Clint Eastwood

The first excerpt represents the past or something you must release, and is drawn from The Golden Threshold by Sarojini Naidu:

buds are blowing; To the koil-haunted river-isles where lotus lilies glisten, The voices of the fairy folk are calling me: O listen!

Honey, child, honey, child, the world is full of pleasure, Of bridal-songs and cradle-songs and sandal- scented leisure. Your bridal robes are in the loom, silver and saffron glowing,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Charmides by Plato:

agility and quickness, is noblest and best?

Yes, certainly.

And is temperance a good?

Yes.

Then, in reference to the body, not quietness, but quickness will be the higher degree of temperance, if temperance is a good?

True, he said.

And which, I said, is better--facility in learning, or difficulty in learning?

Facility.

Yes, I said; and facility in learning is learning quickly, and difficulty

The third excerpt represents the future or something you must embrace, and is drawn from Twilight Land by Howard Pyle:

braying so that the leaves of the trees trembled and shook. For no sooner had he lifted the lid than out leaped a great hideous Genie, as black as a coal, with one fiery-red eye in the middle of his forehead that glared and rolled most horribly, and with his hands and feet set with claws, sharp and hooked like the talons of a hawk. Poor Abdallah the fagot-maker lay upon his back staring at the monster with a face as white as wax.

"What are thy commands?" said the Genie in a terrible voice, that rumbled like the sound of thunder.

"I--I do not know," said Abdallah, trembling and shaking as with an ague. "I--I have forgotten."