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Today's Stichomancy for Clyde Barrow

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Prufrock/Other Observations by T. S. Eliot:

The secret of its skeleton, Stiff and white. A broken spring in a factory yard, Rust that clings to the form that the strength has left Hard and curled and ready to snap.

Half-past two, The street lamp said, "Remark the cat which flattens itself in the gutter, Slips out its tongue And devours a morsel of rancid butter." So the hand of a child, automatic


Prufrock/Other Observations
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Critias by Plato:

Critias returns to his story, professing only to repeat what Solon was told by the priests. The war of which he was about to speak had occurred 9000 years ago. One of the combatants was the city of Athens, the other was the great island of Atlantis. Critias proposes to speak of these rival powers first of all, giving to Athens the precedence; the various tribes of Greeks and barbarians who took part in the war will be dealt with as they successively appear on the scene.

In the beginning the gods agreed to divide the earth by lot in a friendly manner, and when they had made the allotment they settled their several countries, and were the shepherds or rather the pilots of mankind, whom they guided by persuasion, and not by force. Hephaestus and Athena,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gambara by Honore de Balzac:

limpness of style! That monotony of form, those commonplace cadenzas, those endless bravura passages introduced at haphazard irrespective of the dramatic situation, that recurrent /crescendo/ that Rossini brought into vogue, are now an integral part of every composition; those vocal fireworks result in a sort of babbling, chattering, vaporous mucic, of which the sole merit depends on the greater or less fluency of the singer and his rapidity of vocalization.

"The Italian school has lost sight of the high mission of art. Instead of elevating the crowd, it has condescended to the crowd; it has won its success only by accepting the suffrages of all comers, and appealing to the vulgar minds which constitute the majority. Such a


Gambara
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from House of Mirth by Edith Wharton:

Lord Hubert tells me Lily is thought even handsomer than when he knew her at Aix ten years ago. It seems she was tremendously admired there. An Italian Prince, rich and the real thing, wanted to marry her; but just at the critical moment a good-looking step-son turned up, and Lily was silly enough to flirt with him while her marriage-settlements with the step-father were being drawn up. Some people said the young man did it on purpose. You can fancy the scandal: there was an awful row between the men, and people began to look at Lily so queerly that Mrs. Peniston had to pack up and finish her cure elsewhere. Not that SHE ever understood: to this day she thinks that Aix didn't suit her, and