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Today's Stichomancy for Coco Chanel

The first excerpt represents the past or something you must release, and is drawn from Little Women by Louisa May Alcott:

led the way from room to room, letting Jo stop to examine whatever struck her fancy. And so, at last they came to the library, where she clapped her hands and pranced, as she always did when especially delighted. It was lined with books, and there were pictures and statues, and distracting little cabinets full of coins and curiosities, and Sleepy Hollow chairs, and queer tables, and bronzes, and best of all, a great open fireplace with quaint tiles all round it.

"What richness!" sighed Jo, sinking into the depth of a velour chair and gazing about her with an air of intense satisfaction. "Theodore Laurence, you ought to be the happiest boy in the world,"


Little Women
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson:

We thank Thee for the pleasures we have enjoyed and for those we have been able to confer. And now, when the clouds gather and the rain impends over the forest and our house, permit us not to be cast down; let us not lose the savour of past mercies and past pleasures; but, like the voice of a bird singing in the rain, let grateful memory survive in the hour of darkness. If there be in front of us any painful duty, strengthen us with the grace of courage; if any act of mercy, teach us tenderness and patience.

ANOTHER IN TIME OF RAIN

LORD, Thou sendest down rain upon the uncounted millions of the forest, and givest the trees to drink exceedingly. We are here

The third excerpt represents the future or something you must embrace, and is drawn from Study of a Woman by Honore de Balzac:

deserve."

"Madame," said Rastignac, hastily, "pardon is not needed where there was no offence. The letter," he added, in a low voice, "which you received, and which you must have thought extremely unbecoming, was not intended for you."

The marquise could not help smiling, though she wished to seem offended.

"Why deceive?" she said, with a disdainful air, although the tones of her voice were gentle. "Now that I have duly scolded you, I am willing to laugh at a subterfuge which is not without cleverness. I know many women who would be taken in by it: 'Heavens! how he loves me!' they