Today's Stichomancy for Colin Powell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Main Street by Sinclair Lewis:

of superb and contemptuous cursing, not one to verify the myth that their "rough chivalry" and "rugged virtues" were more generous than the petty scandal-picking of older lands, not one dramatic frontiersman to thunder, with fantastic and fictional oaths, "What are you hinting at? What are you snickering at? What facts have you? What are these unheard- of sins you condemn so much--and like so well?"

No one to say it. Not Kennicott nor Guy Pollock nor Champ Perry.

Erik? Possibly. He would sputter uneasy protest.

She suddenly wondered what subterranean connection her

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Plain Tales from the Hills by Rudyard Kipling:

in his discoveries that he never noticed me in the doorway. I stepped into the room and startled him nearly into a fit. He sat down on the ground with a gasp. His eyes opened, and his mouth followed suit. I knew what was coming, and fled, followed by a long, dry howl which reached the servants' quarters far more quickly than any command of mine had ever done. In ten seconds Imam Din was in the dining-room. Then despairing sobs arose, and I returned to find Imam Din admonishing the small sinner who was using most of his shirt as a handkerchief.

"This boy," said Imam Din, judicially, "is a budmash, a big budmash. He will, without doubt, go to the jail-khana for his behavior."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Ball at Sceaux by Honore de Balzac:

Ambitious as the answer might seem, it filled Mademoiselle de Fontaine with the deepest joy; for, like all infatuated people, she explained it, as oracles are explained, in the sense that harmonized with her wishes; she began dancing again in higher spirits than ever, as she watched Longueville, whose figure and grace almost surpassed those of her imaginary ideal. She felt added satisfaction in believing him to be well born, her black eyes sparkled, and she danced with all the pleasure that comes of dancing in the presence of the being we love. The couple had never understood each other as well as at this moment; more than once they felt their finger tips thrill and tremble as they were married in the figures of the dance.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lady Windermere's Fan by Oscar Wilde:

LORD WINDERMERE. [Crossing to her.] Margaret, what you said before dinner was, of course, impossible?

LADY WINDERMERE. That woman is not coming here to-night!

LORD WINDERMERE. [R.C.] Mrs. Erlynne is coming here, and if you in any way annoy or wound her, you will bring shame and sorrow on us both. Remember that! Ah, Margaret! only trust me! A wife should trust her husband!

LADY WINDERMERE. [C.] London is full of women who trust their husbands. One can always recognise them. They look so thoroughly unhappy. I am not going to be one of them. [Moves up.] Lord Darlington, will you give me back my fan, please? Thanks. . . . A