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Today's Stichomancy for David Beckham

The first excerpt represents the past or something you must release, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

friend -- a friend lost to him forever; and on his death-bed, when the near approach of eternity seemed to have illumined his mind with supernatural light, this thought, which had until then been but a doubt, became a conviction, and his last words were, `Maximilian, it was Edmond Dantes!'" At these words the count's paleness, which had for some time been increasing, became alarming; he could not speak; he looked at his watch like a man who has forgotten the hour, said a few hurried words to Madame Herbault, and pressing the hands of Emmanuel and Maximilian, -- "Madame," said he, "I trust you will allow me to visit you


The Count of Monte Cristo
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The War in the Air by H. G. Wells:

a mile. or less and bore down on them. This was the position of affairs when the Vaterland appeared in the sky. The red glow Bert had seen through the column of clouds came from the luckless Susquehanna; she lay almost immediately below, burning fore and aft, but still fighting two of her guns and steaming slowly southward. The Bremen and the Weimar, both hit in several places, were going west by south and away from her. The American fleet, headed by the Theodore Roosevelt, was crossing behind them, pounding them in succession, steaming in between them and the big modern Furst Bismarck, which was coming up from the west. To Bert, however, the names of all these ships were unknown, and

The third excerpt represents the future or something you must embrace, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

this moment is like a waste land to be traversed, a land without a tree, alternatively damp and warm, full of scorching sand, traversed by marshes, which leads to smiling groves clad with roses, where Love and his retinue of pleasures disport themselves on carpets of soft verdure. Often the witty man finds himself afflicted with a foolish laugh which is his only answer to everything; his wit is, as it were, suffocated beneath the icy pressure of his desires. It would not be impossible for two beings of equal beauty, intelligence, and passion to utter at first nothing but the most silly commonplaces, until chance, a word, the tremor of a certain glance, the communication of a spark, should have brought them to the happy transition which leads to


The Girl with the Golden Eyes