Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for David Bowie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Frankenstein by Mary Shelley:

inspiriting fled with sleep, and dark melancholy clouded every thought. The rain was pouring in torrents, and thick mists hid the summits of the mountains, so that I even saw not the faces of those mighty friends. Still I would penetrate their misty veil and seek them in their cloudy retreats. What were rain and storm to me? My mule was brought to the door, and I resolved to ascend to the summit of Montanvert. I remembered the effect that the view of the tremendous and ever-moving glacier had produced upon my mind when I first saw it. It had then filled me with a sublime ecstasy that gave wings to the soul and allowed it to soar from the obscure world to light and joy. The sight of the awful and majestic in nature had indeed always


Frankenstein
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

IV.

Persistently and furiously, at half-past two o'clock of an August morning, Sparicio rang Dr. La Brierre's night-bell. He had fifty dollars in his pocket, and a letter to deliver. He was to earn another fifty dollars--deposited in Feliu's hands,--by bringing the Doctor to Viosca's Point. He had risked his life for that money,--and was terribly in earnest.

Julien descended in his under-clothing, and opened the letter by the light of the hall lamp. It enclosed a check for a larger fee than he had ever before received, and contained an urgent request that he would at once accompany Sparicio to Viosca's Point,--as

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Maitre Cornelius by Honore de Balzac:

founder when on opening his mould he finds nothing. Alone, without light, seated on a stool, in a little garret from which so many of his predecessors had gone to the scaffold, the young fellow felt like a wild beast caught in a trap. He jumped upon the stool and raised himself to his full height in order to reach one of the little openings through which a faint light shone. Thence he saw the Loire, the beautiful slopes of Saint-Cyr, the gloomy marvels of Plessis, where lights were gleaming in the deep recesses of a few windows. Far in the distance lay the beautiful meadows of Touraine and the silvery stream of her river. Every point of this lovely nature had, at that moment, a mysterious grace; the windows, the waters, the roofs of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Philebus by Plato:

which his life is spent?

PROTARCHUS: True.

SOCRATES: He is labouring, not after eternal being, but about things which are becoming, or which will or have become.

PROTARCHUS: Very true.

SOCRATES: And can we say that any of these things which neither are nor have been nor will be unchangeable, when judged by the strict rule of truth ever become certain?

PROTARCHUS: Impossible.

SOCRATES: How can anything fixed be concerned with that which has no fixedness?