Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for David Bowie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Garden Party by Katherine Mansfield:

"But why didn't the stewardess--"

"Oh, my dear--the stewardess!" said Janey. "What would he have felt? And besides...he might have wanted to leave a message...to--"

"Didn't he?" muttered Hammond. "Didn't he say anything?"

"No, darling, not a word!" She shook her head softly. "All the time I was with him he was too weak...he was too weak even to move a finger..."

Janey was silent. But her words, so light, so soft, so chill, seemed to hover in the air, to rain into his breast like snow.

The fire had gone red. Now it fell in with a sharp sound and the room was colder. Cold crept up his arms. The room was huge, immense, glittering. It filled his whole world. There was the great blind bed, with his coat

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Virginian by Owen Wister:

in a Western girl, but with Miss Wood's raising nobody had a right to expect it.

"Indeed!" snorted the great-aunt. "Well, he would be right, if I had not had a good deal more to do with her 'raising' than ever Lizzie had." And she went on with the letter.

I was starting in to die when she found me. I did not know anything then, and she pulled me back from where I was half in the next world. She did not know but what Indians would get her too but I could not make her leave me. I am a heavy man one hundred and seventy-three stripped when in full health. She lifted me herself from the ground me helping scarce any for there


The Virginian
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Crito by Plato:

be fatal to him. The remarkable sentiment that the wicked can do neither good nor evil is true, if taken in the sense, which he means, of moral evil; in his own words, 'they cannot make a man wise or foolish.'

This little dialogue is a perfect piece of dialectic, in which granting the 'common principle,' there is no escaping from the conclusion. It is anticipated at the beginning by the dream of Socrates and the parody of Homer. The personification of the Laws, and of their brethren the Laws in the world below, is one of the noblest and boldest figures of speech which occur in Plato.

CRITO

by

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Story of an African Farm by Olive Schreiner:

If ever, in our tearful, joyful ecstasy, the poor, sleepy, half-dead devil should raise his head, we laugh at him. It is not his hour now.

"If there should be a hell, after all!" he mutters. "If your God should be cruel! If there should be no God! If you should find out it is all imagination! If--"

We laugh at him. When a man sits in the warm sunshine, do you ask him for proof of it? He feels--that is all. And we feel--that is all. We want no proof of our God. We feel, we feel!

We do not believe in our God because the Bible tells us of Him. We believe in the Bible because He tells us of it. We feel Him, we feel Him, we feel- -that is all! And the poor, half-swamped devil mutters: