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Today's Stichomancy for David Bowie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Manon Lescaut by Abbe Prevost:

Heaven to witness the truth of what he had told me.

"I know not to what excess the torments of my mind would have driven me, if Manon, who heard me come in, had not met me with an air of impatience, and complained of my delay. Before I had time to reply, she loaded me with caresses; and when she found we were alone, she reproached me warmly with the habit I was contracting of staying out so late. My silence gave her an opportunity of continuing; and she then said that for the last three weeks I had never spent one entire day in her society; that she could not endure such prolonged absence; that she should at least expect me to give up a day to her from time to time, and that she

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson:

blackness of despair, the horror of misconduct, from which our feet have been plucked out. For our sins forgiven or prevented, for our shame unpublished, we bless and thank Thee, O God. Help us yet again and ever. So order events, so strengthen our frailty, as that day by day we shall come before Thee with this song of gratitude, and in the end we be dismissed with honour. In their weakness and their fear, the vessels of thy handiwork so pray to Thee, so praise Thee. Amen.

SUNDAY

WE beseech Thee, Lord, to behold us with favour, folk of many families and nations gathered together in the peace of this roof,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Far From the Madding Crowd by Thomas Hardy:

disappointment. "I haven't a notion; besides, 'tis no difference, since he took less notice of you than any of the rest. Now, if he'd taken more, it would have mattered a great deal." Bathsheba was suffering from the reverse feeling just then, and they bowled along in silence. A low carriage, bowling along still more rapidly behind a horse of un- impeachable breed, overtook and passed them. "Why, there he is!" she said. Liddy looked. "That! That's Farmer Boldwood -- of course 'tis -- the man you couldn't see the other day


Far From the Madding Crowd
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Arrow of Gold by Joseph Conrad:

about her face which she raised to mine with an air of resignation.

"George, my friend," she said, "we have no manners."

"You would never have made a career at court, Dona Rita," I observed. "You are too impulsive."

"This is not bad manners, that's sheer insolence. This has happened to you before. If it happens again, as I can't be expected to wrestle with a savage and desperate smuggler single- handed, I will go upstairs and lock myself in my room till you leave the house. Why did you say this to me?"

"Oh, just for nothing, out of a full heart."

"If your heart is full of things like that, then my dear friend,


The Arrow of Gold