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Today's Stichomancy for David Geffen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cousin Pons by Honore de Balzac:

scarcely lose. The four pearls are equal; there is the same lustre and sheen, the same rounded completeness, the same brilliancy. Art can go no further than this. Art has risen above Nature, since Nature only gives her creatures a few brief years of life.

Pons possessed one example of this immortal great genius and incurably indolent painter; it was a /Knight of Malta/, a Templar kneeling in prayer. The picture was painted on slate, and in its unfaded color and its finish was immeasurably finer than the /Baccio Bandinelli/.

Fra Bartolommeo was represented by a /Holy Family/, which many connoisseurs might have taken for a Raphael. The Hobbema would have fetched sixty thousand francs at a public sale; and as for the Durer,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gettysburg Address by Abraham Lincoln:

upon this continent a new nation: conceived in liberty, and dedicated to the proposition that all men are created equal.

Now we are engaged in a great civil war. . .testing whether that nation, or any nation so conceived and so dedicated. . . can long endure. We are met on a great battlefield of that war.

We have come to dedicate a portion of that field as a final resting place for those who here gave their lives that this nation might live. It is altogether fitting and proper that we should do this.

But, in a larger sense, we cannot dedicate. . .we cannot consecrate. . . we cannot hallow this ground. The brave men, living and dead, who struggled here have consecrated it, far above our poor power

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Russia in 1919 by Arthur Ransome:

He asked me if I knew it had been considered impossible to combine flax and cotton in such a way that the mixture could be worked in machines intended for cotton only. They had an infinite supply of flax, much of which in the old days had been exported. Investigations carried on for the Centro-Textile by two professors, the brothers Chilikin, had ended in the discovery of three different processes for the cottonizing of flax in such a way that they could now mix not only a small percentage of their flax with cotton and use the old machines, but were actually using fifty per cent. flax and had already produced material experimentally with as

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs:

Down they went together, but so well had Tarzan's plan worked out that before ever they touched the ground he had gained the same hold upon Akut that had broken Molak's neck.

Slowly he brought the pressure to bear, and then as in days gone by he had given Kerchak the chance to surrender and live, so now he gave to Akut--in whom he saw a possible ally of great strength and resource--the option of living in amity with him or dying as he had just seen his savage and heretofore invincible king die.

"Ka-Goda?" whispered Tarzan to the ape beneath him.

It was the same question that he had whispered to Kerchak,


The Beasts of Tarzan