| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Essays & Lectures by Oscar Wilde: between the world of art and the world of real fact, between
classic grace and absolute reality, forms not merely the essential
element of any aesthetic charm but is the characteristic of all
great imaginative work and of all great eras of artistic creation -
of the age of Phidias as of the age of Michael Angelo, of the age
of Sophocles as of the age of Goethe.
Art never harms itself by keeping aloof from the social problems of
the day: rather, by so doing, it more completely realises for us
that which we desire. For to most of us the real life is the life
we do not lead, and thus, remaining more true to the essence of its
own perfection, more jealous of its own unattainable beauty, is
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tales of Unrest by Joseph Conrad: tenderness, with sorrow. Matara slept . . . Had I slept? Matara was
shaking me by the shoulder, and the fire of the sun was drying the
grass, the bushes, the leaves. It was day. Shreds of white mist hung
between the branches of trees.
"Was it night or day? I saw nothing again till I heard Matara breathe
quickly where he lay, and then outside the house I saw her. I saw them
both. They had come out. She sat on a bench under the wall, and twigs
laden with flowers crept high above her head, hung over her hair. She
had a box on her lap, and gazed into it, counting the increase of her
pearls. The Dutchman stood by looking on; he smiled down at her; his
white teeth flashed; the hair on his lip was like two twisted flames.
 Tales of Unrest |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Adam Bede by George Eliot: could Hetty have been but a servant elsewhere, if her uncle had
not taken her in and brought her up as a domestic help to her
aunt, whose health since the birth of Totty had not been equal to
more positive labour than the superintendence of servants and
children? But Hetty had never given Adam any steady
encouragement. Even in the moments when she was most thoroughly
conscious of his superiority to her other admirers, she had never
brought herself to think of accepting him. She liked to feel that
this strong, skilful, keen-eyed man was in her power, and would
have been indignant if he had shown the least sign of slipping
from under the yoke of her coquettish tyranny and attaching
 Adam Bede |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Case of the Registered Letter by Grace Isabel Colbron and Augusta Groner: he who was in Mr. Siders' room the evening before the murder. He
went there because Siders wrote him to come. He says he left early,
and that John acted queerly. He knows they will not believe his
story. This worry and anxiety will kill him. He has a serious heart
trouble; he has suffered from it for years, and it has been growing
steadily worse. I dare not think what this excitement may do for
him." Miss Graumann broke down again and sobbed aloud. Muller laid
his hands soothingly on the little old fingers that gripped the arm
of the chair.
"Did your nephew send you here to ask for help?" he inquired very
gently.
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