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Today's Stichomancy for David Geffen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Bunner Sisters by Edith Wharton:

clasping the shawl about her neck, Evelina poured out her story. It was a tale of misery and humiliation so remote from the elder sister's innocent experiences that much of it was hardly intelligible to her. Evelina's dreadful familiarity with it all, her fluency about things which Ann Eliza half-guessed and quickly shuddered back from, seemed even more alien and terrible than the actual tale she told. It was one thing--and heaven knew it was bad enough!--to learn that one's sister's husband was a drug-fiend; it was another, and much worse thing, to learn from that sister's pallid lips what vileness lay behind the word.

Evelina, unconscious of any distress but her own, sat upright,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In a German Pension by Katherine Mansfield:

I replied with the utmost conviction, and, catching Frau Fischer's eye, suddenly realised I had better go back to the house and write some letters.

It was dark and cool in my room. A chestnut tree pushed green boughs against the window. I looked down at the horsehair sofa so openly flouting the idea of curling up as immoral, pulled the red pillow on to the floor and lay down. And barely had I got comfortable when the door opened and Frau Fischer entered.

"The Herr Rat had a bathing appointment," she said, shutting the door after her. "May I come in? Pray do not move. You look like a little Persian kitten. Now, tell me something really interesting about your life. When I meet new people I squeeze them dry like a sponge. To begin with--you are

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Glasses by Henry James:

you through gold-rimmed aids to vision, optic circles of such diameter and so frequently displaced that some one had vividly spoken of her as flattering her nose against the glass of her spectacles. She was extraordinarily near-sighted, and whatever they did to other objects they magnified immensely the kind eyes behind them. Blest conveniences they were, in their hideous, honest strength--they showed the good lady everything in the world but her own queerness. This element was enhanced by wild braveries of dress, reckless charges of colour and stubborn resistances of cut, wondrous encounters in which the art of the toilet seemed to lay down its life. She had the tread of a grenadier and the voice

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Brother of Daphne by Dornford Yates:

pressed for time, are we, my dear?"

"Oh, no. That is- I mean, of course. Please do everything you can, Norval."

"Very good, madam."

I got some tools out of the tool-box and began to take the pipe down."

Hadn't you better take your dust-coat off, man?" said Berry.

"No, thank you, sir.

Berry turned to Lord Brethe, who had come to watch the operation. "All this comes through~letting my young brother-in-law play about with the car," he explained airily.


The Brother of Daphne