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Today's Stichomancy for David Letterman

The first excerpt represents the past or something you must release, and is drawn from Northanger Abbey by Jane Austen:

not imagine that I often read novels--It is really very well for a novel." Such is the common cant. "And what are you reading, Miss--?" "Oh! It is only a novel!" replies the young lady, while she lays down her book with affected indifference, or momentary shame. "It is only Cecilia, or Camilla, or Belinda"; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language. Now, had the same


Northanger Abbey
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Scarlet Pimpernel by Baroness Emmuska Orczy:

of hate. The hour, some little time before sunset, and the place, the West Barricade, at the very spot where, a decade later, a proud tyrant raised an undying monument to the nation's glory and his own vanity.

During the greater part of the day the guillotine had been kept busy at its ghastly work: all that France had boasted of in the past centuries, of ancient names, and blue blood, had paid toll to her desire for liberty and for fraternity. The carnage had only ceased at this late hour of the day because there were other more interesting sights for the people to witness, a little while before the final closing of the barricades for the night.

And so the crowd rushed away from the Place de la Greve and


The Scarlet Pimpernel
The third excerpt represents the future or something you must embrace, and is drawn from The Iliad by Homer:

He broke both hinges, and the stone fell inside by reason of its great weight. The portals re-echoed with the sound, the bars held no longer, and the doors flew open, one one way, and the other the other, through the force of the blow. Then brave Hector leaped inside with a face as dark as that of flying night. The gleaming bronze flashed fiercely about his body and he had two spears in his hand. None but a god could have withstood him as he flung himself into the gateway, and his eyes glared like fire. Then he turned round towards the Trojans and called on them to scale the wall, and they did as he bade them--some of them at once climbing over the wall, while others passed through the


The Iliad