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Today's Stichomancy for David Letterman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Secret Agent by Joseph Conrad:

wisp of white goatee. His enunciation would have been almost totally unintelligible to a stranger. His worn-out passion, resembling in its impotent fierceness the excitement of a senile sensualist, was badly served by a dried throat and toothless gums which seemed to catch the tip of his tongue. Mr Verloc, established in the corner of the sofa at the other end of the room, emitted two hearty grunts of assent.

The old terrorist turned slowly his head on his skinny neck from side to side.

"And I could never get as many as three such men together. So much for your rotten pessimism," he snarled at Michaelis, who uncrossed


The Secret Agent
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

that of the average of her Sex, and who perceived that I was unusually excited, did not argue with me on the subject, but insisted that I was ill and required repose. I was glad of an excuse for retiring to my chamber to think quietly over what had happened. When I was at last by myself, a drowsy sensation fell on me; but before my eyes closed I endeavoured to reproduce the Third Dimension, and especially the process by which a Cube is constructed through the motion of a Square. It was not so clear as I could have wished; but I remembered that it must be "Upward, and yet not Northward", and I determined steadfastly to retain these words as the clue which, if firmly grasped, could not fail


Flatland: A Romance of Many Dimensions
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Jungle by Upton Sinclair:

had given him a tip on a horse race, and he had tried to retrieve his fortune with another person's money, and had to run away, and all the rest had come from that. The other asked him what had led him to safebreaking--to Jurgis a wild and appalling occupation to think about. A man he had met, his cell mate had replied--one thing leads to another. Didn't he ever wonder about his family, Jurgis asked. Sometimes, the other answered, but not often--he didn't allow it. Thinking about it would make it no better. This wasn't a world in which a man had any business with a family; sooner or later Jurgis would find that out also, and give up the fight and shift for himself.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gulliver's Travels by Jonathan Swift:

objection he would please to make, and then he might easily discover the truth."

The captain, a wise man, after many endeavours to catch me tripping in some part of my story, at last began to have a better opinion of my veracity. But he added, "that since I professed so inviolable an attachment to truth, I must give him my word and honour to bear him company in this voyage, without attempting any thing against my life; or else he would continue me a prisoner till we arrived at Lisbon." I gave him the promise he required; but at the same time protested, "that I would suffer the greatest hardships, rather than return to live among YAHOOS."


Gulliver's Travels