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Today's Stichomancy for David Letterman

The first excerpt represents the past or something you must release, and is drawn from Myths and Myth-Makers by John Fiske:

The latter are untrustworthy traditions of doubtful events; but in dealing with the former, we are face to face with a MYTH.

What, then, is a myth? The theory of Euhemeros, which was so fashionable a century ago, in the days of the Abbe Banier, has long since been so utterly abandoned that to refute it now is but to slay the slain. The peculiarity of this theory was that it cut away all the extraordinary features of a given myth, wherein dwelt its inmost significance, and to the dull and useless residuum accorded the dignity of primeval history. In this way the myth was lost without compensation, and the


Myths and Myth-Makers
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Pocket Diary Found in the Snow by Grace Isabel Colbron and Augusta Groner:

once the lure of the trail has caught him. He scarcely eats or sleeps when the chase is on, he does not seem to know human weakness nor fatigue, in spite of his frail body. Once put on a case his mind delves and delves until it finds a clue, then something awakes within him, a spirit akin to that which holds the bloodhound nose to trail, and he will accomplish the apparently impossible, he will track down his victim when the entire machinery of a great police department seems helpless to discover anything. The high chiefs and commissioners grant a condescending permission when Muller asks, "May I do this? ... or may I handle this case this way?" both parties knowing all the while that it is a farce,

The third excerpt represents the future or something you must embrace, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

which rings as sincere.

As a final effort, the singer rendered some verses which described a vision of Britain being annihilated by America, and Ireland bursting her bonds. A carefully prepared crisis was reached in the last line of the last verse, where the singer threw out her arms and cried, "The star-spangled banner." Instantly a great cheer swelled from the throats of the assemblage of the masses. There was a heavy rumble of booted feet thumping the floor. Eyes gleamed with sudden fire, and calloused hands waved frantically in the air.

After a few moments' rest, the orchestra played crashingly,


Maggie: A Girl of the Streets