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Today's Stichomancy for David Letterman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Buttered Side Down by Edna Ferber:

So Eddie stuck to his job, and waited, and all the time he was saying, with a melting look, to the last silly little girl who was drinking her third soda, "Somebody looks mighty sweet in pink to-day," or while he was doping to-morrow's ball game with one of the boys who dropped in for a cigar, he was thinking of bigger things, and longing for a man-size job.

The man-size job loomed up before Eddie's dazzled eyes when he least expected it. It was at the close of a particularly hot day when it seemed to Eddie that every one in town had had everything from birch beer to peach ice cream. On his way home to supper he stopped at the postoffice with a handful of letters that old man


Buttered Side Down
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Touchstone by Edith Wharton:

poor devil, could hardly help receiving them."

"Perhaps he counted on the public to save him the trouble of reading them," said young Hartly, who was in the cynical stage.

Mrs. Armiger turned her reproachful loveliness to Dresham. "From the way you defend him, I believe you know who he is."

Everyone looked at Dresham, and his wife smiled with the superior air of the woman who is in her husband's professional secrets. Dresham shrugged his shoulders.

"What have I said to defend him?"

"You called him a poor devil--you pitied him."

"A man who could let Margaret Aubyn write to him in that way? Of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

words does not lie too deep for music, and that the vicissitudes of the soul, from the roughest fun to the loftiest aspiration, can make symphonies without the aid of dance tunes. As much, perhaps, will be claimed for the preludes and fugues of Bach; but Bach's method was unattainable: his compositions were wonderful webs of exquisitely beautiful Gothic traceries in sound, quite beyond all ordinary human talent. Beethoven's far blunter craft was thoroughly popular and practicable: not to save his soul could he have drawn one long Gothic line in sound as Bach could, much less have woven several of them together with so apt a harmony that even when the composer is unmoved its progressions

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chouans by Honore de Balzac:

deliberate on her ball-dress. Francine, accustomed to obey without understanding her mistress's motives, opened the trunks, and suggested a Greek costume. The Republican fashions of those days were all Greek in style. Marie chose one which could be put in a box that was easy to carry.

"Francine, my dear, I am going on an excursion into the country; do you want to go with me, or will you stay behind?"

"Stay behind!" exclaimed Francine; "then who would dress you?"

"Where have you put that glove I gave you this morning?"

"Here it is."

"Sew this green ribbon into it, and, above all, take plenty of money."


The Chouans