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Today's Stichomancy for David Letterman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moran of the Lady Letty by Frank Norris:

He remembered that they were going home on the next day. Within a fortnight he would be in San Francisco again--a taxpayer, a police-protected citizen once more. It had been good fun, after all, this three weeks' life on the "Bertha Millner," a strange episode cut out from the normal circle of his conventional life. He ran over the incidents of the cruise--Kitchell, the turtle hunt, the finding of the derelict, the dead captain, the squall, and the awful sight of the sinking bark, Moran at the wheel, the grewsome business of the shark-fishing, and last of all that inexplicable lifting and quivering of the schooner. He told himself that now he would probably never know the explanation of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Pocket Diary Found in the Snow by Grace Isabel Colbron and Augusta Groner:

Without hesitation the two men made their way through a tangle of dingy, uninteresting alleys, between modem tenements, until about ten minutes later they stood before an old three-storied building, which had a frontage of four windows on the street. "This is our place," said the detective, looking up at the tall, handsome gateway and the rococo carvings that ornamented the front of this decaying dwelling. It was very evidently of a different age and class from those about it.

Muller had already raised his hand to pull the bell, when he stopped and let it sink again. His eye caught sight of a placard pasted up on the wall of the next house, and already half torn off by the wind.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lady Baltimore by Owen Wister:

stands on the threshold of all that is to come; therefore I were lacking in deference did I pass her and her Scions by without due mention,--employing no English but such as fits a theme so stately. Although she never left the threshold, nor went to Kings Port with me, nor saw the boy, or the girl, or any part of what befell them, she knew quite well who the boy was. When I wrote her about him, she remembered one of his grandmothers whom she had visited during her own girlhood, long before the war, both in Kings Port and at the family plantation; and this old memory led her to express a kindly interest in him. How odd and far away that interest seems, now that it has been turned to cold displeasure!

Some other day, perhaps, I may try to tell you much more than I can tell you here about Aunt Carola and her Colonial Society--that apple which

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Heap O' Livin' by Edgar A. Guest:

But, having lived and having toiled, I'd like the world to find Some little touch of beauty that my soul had left behind.

THE FINEST AGE

When he was only nine months old, And plump and round and pink of cheek, A joy to tickle and to hold, Before he'd even learned to speak, His gentle mother used to say: "It is too bad that he must grow.


A Heap O' Livin'