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Today's Stichomancy for Dean Martin

The first excerpt represents the past or something you must release, and is drawn from King James Bible:

sincere and without offence till the day of Christ.

PHI 1:11 Being filled with the fruits of righteousness, which are by Jesus Christ, unto the glory and praise of God.

PHI 1:12 But I would ye should understand, brethren, that the things which happened unto me have fallen out rather unto the furtherance of the gospel;

PHI 1:13 So that my bonds in Christ are manifest in all the palace, and in all other places;

PHI 1:14 And many of the brethren in the Lord, waxing confident by my bonds, are much more bold to speak the word without fear.

PHI 1:15 Some indeed preach Christ even of envy and strife; and some


King James Bible
The second excerpt represents the present or the deciding factor of the moment, and is drawn from U. S. Project Trinity Report by Carl Maag and Steve Rohrer:

these personnel, the individual who received the highest exposure during the three days was an Army sergeant who received 15 roentgens. During the same period, two civilians received 10 roentgens and 7.5 roentgens, respectively. All other personnel received exposures of 5 roentgens or less (1; 3).

After the "Going-In Board" was disbanded on 19 July, permission to enter the ground zero area had to be obtained from Dr. Bainbridge or one of his deputies. Many scientists entered the ground zero area after 19 July to retrieve instruments or to perform experiments. The population of the TRINITY test site was diminishing, however, as the emphasis shifted to preparing the devices that were to be dropped on

The third excerpt represents the future or something you must embrace, and is drawn from The Alkahest by Honore de Balzac:

niente." Thence comes the peaceful sentiment in Art (its most essential condition), patience, and the element which renders its creations durable, namely, conscience. Indeed, the Flemish character lies in the two words, patience and conscience; words which seem at first to exclude the richness of poetic light and shade, and to make the manners and customs of the country as flat as its vast plains, as cold as its foggy skies. And yet it is not so. Civilization has brought her power to bear, and has modified all things, even the effects of climate. If we observe attentively the productions of various parts of the globe, we are surprised to find that the prevailing tints from the temperate zones are gray or fawn, while the