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Today's Stichomancy for Denise Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mayflower Compact:

1970's were produced in ALL CAPS, no lower case. The computers we used then didn't have lower case at all.

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These original Project Gutenberg Etexts will be compiled into a file containing them all, in order to improve the content ratios of Etext to header material.

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#STARTMARK#

The Mayflower Compact

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from End of the Tether by Joseph Conrad:

pan to go and try for the command of the Sofala Cap- tain Whalley shivered a little.

When on his return he landed on the quay again Venus, like a choice jewel set low on the hem of the sky, cast a faint gold trail behind him upon the roadstead, as level as a floor made of one dark and polished stone. The lofty vaults of the avenues were black--all black overhead--and the porcelain globes on the lamp-posts resembled egg-shaped pearls, gigantic and luminous, displayed in a row whose farther end seemed to sink in the distance, down to the level of his knees. He put


End of the Tether
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dream Life and Real Life by Olive Schreiner:

gone with the son to town; and the maids have gone to a dance; there is only the old man and the two women left."

"But suppose," said the navvy, "he should have the gun at his bedside, and loaded!"

"He never has," said Dirk; "it hangs in the passage, and the cartridges too. He never thought when he bought it what work it was for! I only wish the little white girl was there still," said Dirk; "but she is drowned. We traced her footmarks to the great pool that has no bottom."

She listened to every word, and they talked on.

Afterwards, the little Bushman, who crouched over the fire, sat up suddenly, listening.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Human Drift by Jack London:

fingers. The pain is sickening. But there is no time. The skiff, which is always perverse, is pounding against the barnacles on the piles which threaten to scrape its gunwale off. It's drop the peak! Down jib! Then you run lines, and pull and haul and heave, and exchange unpleasant remarks with the bridge-tender who is always willing to meet you more than half way in such repartee. And finally, at the end of an hour, with aching back, sweat-soaked shirt, and slaughtered hands, you are through and swinging along on the placid, beneficent tide between narrow banks where the cattle stand knee-deep and gaze wonderingly at you. Excitement! Work! Can you beat it in a calm day on the deep sea?