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Today's Stichomancy for Denise Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The House of Dust by Conrad Aiken:

Take my arm, then, you or you or you, And let us walk abroad on the solid air: Look how the organist's head, in silhouette, Leans to the lamplit music's orange square! . . . The dim-globed lamps illumine rows of faces, Rows of hands and arms and hungry eyes, They have hurried down from a myriad secret places, From windy chambers next to the skies. . . . The music comes upon us. . . .it shakes the darkness, It shakes the darkness in our minds. . . . And brilliant figures suddenly fill the darkness,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Turn of the Screw by Henry James:

was poor little Miles himself.

XI

It was not till late next day that I spoke to Mrs. Grose; the rigor with which I kept my pupils in sight making it often difficult to meet her privately, and the more as we each felt the importance of not provoking--on the part of the servants quite as much as on that of the children--any suspicion of a secret flurry or that of a discussion of mysteries. I drew a great security in this particular from her mere smooth aspect. There was nothing in her fresh face to pass on to others my horrible confidences. She believed me,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Philosophy 4 by Owen Wister:

"You fell out, man."

Billy was incredulous.

"You did. You tore your clothes wide open."

Billy, looking at his trousers, did not see it.

"Rise, and I'll show you," said Bertie.

"Goodness gracious!" said Billy.

Thus discoursing, they reached Harvard Square. Not your Harvard Square, gentle reader, that place populous with careless youths and careful maidens and reticent persons with books, but one of sleeping windows and clear, cool air and few sounds; a Harvard Square of emptiness and conspicuous sparrows and milk wagons and early street-car conductors in

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Crowd by Gustave le Bon:

[10] If a comparison be made between the profound religious and political dissensions which separate the various parties in France, and are more especially the result of social questions, and the separatist tendencies which were manifested at the time of the Revolution, and began to again display themselves towards the close of the Franco-German war, it will be seen that the different races represented in France are still far from being completely blended. The vigorous centralisation of the Revolution and the creation of artificial departments destined to bring about the fusion of the ancient provinces was certainly its most useful work. Were it possible to bring about the