Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Denzel Washington

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cratylus by Plato:

the intelligence is wanting, and when the intelligence is able to frame conceptions, the organs are no longer able to express them. Or, as others have said: Man is man because he has the gift of speech; and he could not have invented that which he is. But this would have been an 'argument too subtle' for Socrates, who rejects the theological account of the origin of language 'as an excuse for not giving a reason,' which he compares to the introduction of the 'Deus ex machina' by the tragic poets when they have to solve a difficulty; thus anticipating many modern controversies in which the primary agency of the divine Being is confused with the secondary cause; and God is assumed to have worked a miracle in order to fill up a lacuna in human knowledge. (Compare Timaeus.)

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Touchstone by Edith Wharton:

and life, a moment before, had been like their plot of ground, shut off, hedged in from importunities, impenetrably his and hers. Now it seemed to him that every maple-leaf, every privet-bud, was a relentless human gaze, pressing close upon their privacy. It was as though they sat in a brightly lit room, uncurtained from a darkness full of hostile watchers. . . . His wife still smiled; and her unconsciousness of danger seemed, in some horrible way, to put her beyond the reach of rescue. . . .

He had not known that it would be like this. After the first odious weeks, spent in preparing the letters for publication, in submitting them to Flamel, and in negotiating with the publishers,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

have counted my love the greatest boon. I had but to beckon, and the best of them, the handsomest, the first in beauty and birth would have become my husband. And to none of them didst thou incline my heart, O bitter fate; but thou didst turn it against the noblest heroes of our land, and towards a stranger, towards our enemy. O most holy mother of God! for what sin dost thou so pitilessly, mercilessly, persecute me? In abundance and superfluity of luxury my days were passed, the richest dishes and the sweetest wine were my food. And to what end was it all? What was it all for? In order that I might at last die a death more cruel than that of the meanest beggar in the kingdom? And it was not enough that I should be condemned to so horrible a fate; not


Taras Bulba and Other Tales
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

on him instead with manifest anxiety, he yet more heavily resumed. 'Well, it won't fight. We can't do it; that's the bed rock. I'm as sorry as what you can be, and sorrier. We can't look near Samoa. I don't know as we could get to Peru.'

'Wot-ju mean?' asked Huish brutally.

'I can't 'most tell myself,' replied the captain. 'I drew it fine; I said I did; but what's been going on here gets me! Appears as if the devil had been around. That cook must be the holiest kind of fraud. Only twelve days, too! Seems like craziness. I'll own up square to one thing: I seem to have figured too fine upon the flour. But the rest--my land! I'll