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Today's Stichomancy for Denzel Washington

The first excerpt represents the past or something you must release, and is drawn from The Warlord of Mars by Edgar Rice Burroughs:

Six hundred and eighty-seven Martian days must come and go before the cell's door would again come opposite the tunnel's end where last I had seen my ever-beautiful Dejah Thoris. Half of them had passed, or would on the morrow, yet vivid in my memory, obliterating every event that had come before or after, there remained the last scene before the gust of smoke blinded my eyes and the narrow slit that had given me sight of the interior of her cell closed between me and the Princess of Helium for a long Martian year.


The Warlord of Mars
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Secret Adversary by Agatha Christie:

As the door closed behind Julius, he returned to his suit-case.

"That's the lot," he murmured, and rang the bell.

"Take my luggage down."

"Yes, sir. Going away, sir?"

"I'm going to the devil," said Tommy, regardless of the menial's feelings.

That functionary, however, merely replied respectfully:

"Yes, sir. Shall I call a taxi?"

Tommy nodded.

Where was he going? He hadn't the faintest idea. Beyond a fixed determination to get even with Mr. Brown he had no plans. He


Secret Adversary
The third excerpt represents the future or something you must embrace, and is drawn from Ursula by Honore de Balzac:

mother's coffer and dipped into his father's purse, making each author of his being believe that he, or she, alone was petitioned. Desire, who played a part in Nemours far beyond that of a prince royal in his father's capital, chose to gratify his fancies in Paris just as he had gratified them in his native town; he had therefore spent a yearly sum of not less than twelve thousand francs during the time of his legal studies. But for that money he had certainly acquired ideas that would never had come to him in Nemours; he had stripped off the provincial skin, learned the power of money and seen in the magistracy a means of advancement which he fancied. During the last year he had spent an extra sum of ten thousand francs in the company of artists,