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Today's Stichomancy for Denzel Washington

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Silas Marner by George Eliot:

again, with the reflection that Eppie would be good without fastening for the rest of the morning. He turned round again, and was going to place her in her little chair near the loom, when she peeped out at him with black face and hands again, and said, "Eppie in de toal-hole!"

This total failure of the coal-hole discipline shook Silas's belief in the efficacy of punishment. "She'd take it all for fun," he observed to Dolly, "if I didn't hurt her, and that I can't do, Mrs. Winthrop. If she makes me a bit o' trouble, I can bear it. And she's got no tricks but what she'll grow out of."

"Well, that's partly true, Master Marner," said Dolly,


Silas Marner
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Breaking Point by Mary Roberts Rinehart:

smouldering jealousy increased by the fact that he had introduced innovations David resented; had for instance moved Dick's desk nearer the window, and instead of doing his own laboratory work had what David considered a damnably lazy fashion of sending his little tubes, carefully closed with cotton, to a hospital in town.

David found the days very long and infinitely sad. He wakened each morning to renewed hope, watched for the postman from his upper window, and for Lucy's step on the stairs with the mail. His first glimpse of her always told him the story. At the beginning he had insisted on talking about Dick, but he saw that it hurt her, and of late they had fallen into the habit of long


The Breaking Point
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Herodias by Gustave Flaubert:

resisted, but he had been quite gentle and obedient. After he had been thrown into prison some one had put venomous serpents into his dungeon, but strange to say, after a time they had died, leaving him uninjured. The inanity of such tricks exasperated Herodias. Besides, she inquired, why did this man make war upon her? What interest moved him to such actions? His injurious words to her, uttered before a throng of listeners, had been repeated and widely circulated; she heard them whispered everywhere. Against a legion of soldiers she would have been brave; but this mysterious influence, more pernicious and powerful than the sword, but impossible to grasp, was maddening! Herodias strode to and fro upon the terrace, white with rage, unable


Herodias
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Brother of Daphne by Dornford Yates:

brown, but her eyes were. Great, big ones these, with a star in each of them for laughter. Her nose turned up ever so slightly, and she had a little way of tilting her dainty chin, as if to keep it company. Red lips. Presently she looked at me through the smoke.

"Are you going to Whinnerley?" she said.

"Yes, please."

"To the Hall?"

"Even as you are."

"How did you know?"

"The sensitive bag had a label."


The Brother of Daphne