Today's Stichomancy for Dick Cheney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Vendetta by Honore de Balzac:

toward the end of the month of July, 1815. The second return of the Bourbons had shaken many friendships which had held firm under the first Restoration. At this moment families, almost all divided in opinion, were renewing many of the deplorable scenes which stain the history of all countries in times of civil or religious wars. Children, young girls, old men shared the monarchial fever to which the country was then a victim. Discord glided beneath all roofs; distrust dyed with its gloomy colors the words and the actions of the most intimate friends.

Ginevra Piombo loved Napoleon to idolatry; how, then, could she hate him? The emperor was her compatriot and the benefactor of her father.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Commission in Lunacy by Honore de Balzac:

"But these are the facts?"

"My boy, do you not know all the judicial romances with which clients impose on their attorneys? If the attorneys condemned themselves to state nothing but the truth, they would not earn enough to keep their office open."

Next day, at four in the afternoon, a very stout dame, looking a good deal like a cask dressed up in a gown and belt, mounted Judge Popinot's stairs, perspiring and panting. She had, with great difficulty, got out of a green landau, which suited her to a miracle; you could not think of the woman without the landau, or the landau without the woman.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Cratylus by Plato:

and predicate. Grammar and logic were moving about somewhere in the depths of the human soul, but they were not yet awakened into consciousness and had not found names for themselves, or terms by which they might be expressed. Of these beginnings of the study of language we know little, and there necessarily arises an obscurity when the surroundings of such a work as the Cratylus are taken away. Moreover, in this, as in most of the dialogues of Plato, allowance has to be made for the character of Socrates. For the theory of language can only be propounded by him in a manner which is consistent with his own profession of ignorance. Hence his ridicule of the new school of etymology is interspersed with many declarations 'that he knows nothing,' 'that he has learned from Euthyphro,' and the like. Even

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Study of a Woman by Honore de Balzac:

"Ah! there you are, dear Horace; how long have you been here?"

"Just come."

"Ah!"

He took up the two letters, directed them, and rang for his servant.

"Take these," he said, "and deliver them."

Joseph departed without a word; admirable servant!

We began to talk of the expedition to Morea, to which I was anxious to be appointed as physician. Eugene remarked that I should lose a great deal of time if I left Paris. We then conversed on various matters, and I think you will be glad if I suppress the conversation.

When the Marquise de Listomere rose, about half-past two in the