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Today's Stichomancy for Donald Trump

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Emerald City of Oz by L. Frank Baum:

muddy hole in the ground."

His Majesty seemed thoughtful, and while the servants passed around glasses of nectar and plates of frosted cakes their King was silent and a bit nervous.

When the refreshments had been enjoyed by all and the servants had retired Dorothy said:

"I must go now, for it's getting late and I'm lost. I've got to find the Wizard and Aunt Em and Uncle Henry and all the rest sometime before night comes, if I poss'bly can."

"Won't you stay with us?" asked the King. "You will be very welcome."

"No, thank you," she replied. "I must get back to my friends. And I


The Emerald City of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Fantastic Fables by Ambrose Bierce:

his Unblotted Escutcheon. Seeing what it supposed to be the finger of scorn pointed at it, the Unblotted Escutcheon turned black with rage. Seeing the Unblotted Escutcheon turning black with what he supposed to be the record of his own misdeeds showing through the whitewash, the Orator fell dead of mortification. Seeing the Orator fall dead of what they supposed to be atrophy of the organ of common-sense, his colleagues resolved that whenever they should adjourn because they were tired, it should be out of respect to the memory of him who had so frequently made them so.

Three of a Kind

A LAWYER in whom an instinct of justice had survived the wreck of


Fantastic Fables
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

"Joanna had done one thing very pretty. There was a little piece o' swamp on the island where good rushes grew plenty, and she'd gathered 'em, and braided some beautiful mats for the floor and a thick cushion for the long bunk. She'd showed a good deal of invention; you see there was a nice chance to pick up pieces o' wood and boards that drove ashore, and she'd made good use o' what she found. There wasn't no clock, but she had a few dishes on a shelf, and flowers set about in shells fixed to the walls, so it did look sort of homelike, though so lonely and poor. I couldn't keep the tears out o' my eyes, I felt so sad. I said to myself, I must get mother to come over an' see Joanna; the love in mother's

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lost Continent by Edgar Rice Burroughs:

I was filled with a strange, mad impulse to be near her. It was not enough merely to assist her, or protect her--I desired to touch her--to take her in my arms. I was astounded at myself. Another thing puzzled me--it was my incomprehensible feeling of elation since I had again seen her. With a fate worse than death staring her in the face, and with the knowledge that I should probably die defending her within the hour, I was still happier than I had been for weeks--and all because I had seen again for a few brief minutes the figure of a little heathen maiden. I couldn't account for it, and it angered me; I had never before felt


Lost Continent