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Today's Stichomancy for Donald Trump

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lady Baltimore by Owen Wister:

"Something on it, but nothing in it!" exclaimed Mayrant; at which moderate pleasantry the custodian broke into extreme African merriment and ambled away. "You needn't have done it," protested the Southerner, and I naturally claimed my stranger's right to pay my respects in this manner. Such was our introduction, agreeable and unusual.

A silence then unexpectedly ensued and the formality fell colder than ever upon us. The custodian's departure had left us alone, looking at each other across all the unexpressed knowledge that each knew the other had. Mayrant had come impulsively back to me from his aunts, without stopping to think that we had never yet exchanged a word; both of us were now brought up short, and it was the cake that was speaking volubly in

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Madam How and Lady Why by Charles Kingsley:

eats in the sea, and so has cost nothing; and the shilling a pound is all clear gain. There--you don't quite understand that piece of political economy. Indeed, it is only in the last two or three years that older heads than yours have got to understand it, and have passed the wise new salmon laws, by which the rivers will be once more as rich with food as the land is, just as they were hundreds of years ago. But now, look again at the river. What do you think makes it so yellow and muddy?

Dirt, of course.

And where does that come from?

Off the mountains?

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Beast in the Jungle by Henry James:

wore for him the air of conscious greeting that we find, after absence, in things that have closely belonged to us and which seem to confess of themselves to the connexion. The plot of ground, the graven tablet, the tended flowers affected him so as belonging to him that he resembled for the hour a contented landlord reviewing a piece of property. Whatever had happened--well, had happened. He had not come back this time with the vanity of that question, his former worrying "What, WHAT?" now practically so spent. Yet he would none the less never again so cut himself off from the spot; he would come back to it every month, for if he did nothing else by its aid he at least held up his head. It thus grew for him, in the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

pictures, without dainties, without music, without theatrical amusements. But she saw and heard and felt much of that which, though old as the heavens and the earth, is yet eternally new and eternally young with the holiness of beauty,--eternally mystical and divine,---eternally weird: the unveiled magnificence of Nature's moods,--the perpetual poem hymned by wind and surge,--the everlasting splendor of the sky.

She saw the quivering pinkness of waters curled by the breath of the morning--under the deepening of the dawn--like a far fluttering and scattering of rose-leaves of fire;--

Saw the shoreless, cloudless, marvellous double-circling azure of