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Today's Stichomancy for Donald Trump

The first excerpt represents the past or something you must release, and is drawn from The Emerald City of Oz by L. Frank Baum:

The Keeper of the Wicket bowed and hurried away, and his Majesty turned to Dorothy and continued: "We'll have time for a walk in the gardens before the people get here."

The gardens were back of the palace and were filled with beautiful flowers and fragrant shrubs, with many shade and fruit trees and marble-paved walks running in every direction. As they entered this place Blinkem came running to the King, who gave him several orders in a low voice. Then his Majesty rejoined Dorothy and led her through the gardens, which she admired very much.

"What lovely clothes your Majesty wears!" she said, glancing at the rich blue satin costume, embroidered, with pearls in which the King


The Emerald City of Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Octopus by Frank Norris:

From time to time the gang in which Vanamee worked halted on the signal from foreman or overseer. The horses came to a standstill, the vague clamour of the work lapsed away. Then the minutes passed. The whole work hung suspended. All up and down the line one demanded what had happened. The division superintendent galloped past, perplexed and anxious. For the moment, one of the ploughs was out of order, a bolt had slipped, a lever refused to work, or a machine had become immobilised in heavy ground, or a horse had lamed himself. Once, even, toward noon, an entire plough was taken out of the line, so out of gear that a messenger had to be sent to the division forge to summon

The third excerpt represents the future or something you must embrace, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

No sign of the times more plainly discovered the helotism to which the Restoration had condemned the young manhood of the epoch. The younger men, being at a loss to know what to do with themselves, were compelled to find other outlets for their superabundant energy besides journalism, or conspiracy, or art, or letters. They squandered their strength in the wildest excesses, such sap and luxuriant power was there in young France. The hard workers among these gilded youths wanted power and pleasure; the artists wished for money; the idle sought to stimulate their appetites or wished for excitement; one and all of them wanted a place, and one and all were shut out from politics and public life. Nearly all the "free-livers" were men of