Today's Stichomancy for Douglas Adams

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Treasure Island by Robert Louis Stevenson:

Treasure Island

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

we unexpectedly obtained a specimen which did not come from the potter’s field. In Bolton the prevailing spirit of Puritanism had outlawed the sport of boxing -- with the usual result. Surreptitious and ill-conducted bouts among the mill-workers were common, and occasionally professional talent of low grade was imported. This late winter night there had been such a match; evidently with disastrous results, since two timorous Poles had come to us with incoherently whispered entreaties to attend to a very secret and desperate case. We followed them to an abandoned barn, where the remnants of a crowd of frightened foreigners were watching a silent black form on the floor.

Herbert West: Reanimator

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Coxon Fund by Henry James:

of the preposterous Mulvilles, his relation to whom, like mine, had had its origin in an early, a childish intimacy with the young Adelaide, the fruit of multiplied ties in the previous generation. When she married Kent Mulville, who was older than Gravener and I and much more amiable, I gained a friend, but Gravener practically lost one. We reacted in different ways from the form taken by what he called their deplorable social action--the form (the term was also his) of nasty second-rate gush. I may have held in my 'for interieur' that the good people at Wimbledon were beautiful fools, but when he sniffed at them I couldn't help taking the opposite line, for I already felt that even should we happen to agree it

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Intentions by Oscar Wilde:

the problems that confront the earnest Christian it is ridiculous and antiquated. It is simply Arnold's LITERATURE AND DOGMA with the literature left out. It is as much behind the age as Paley's EVIDENCES, or Colenso's method of Biblical exegesis. Nor could anything be less impressive than the unfortunate hero gravely heralding a dawn that rose long ago, and so completely missing its true significance that he proposes to carry on the business of the old firm under the new name. On the other hand, it contains several clever caricatures, and a heap of delightful quotations, and Green's philosophy very pleasantly sugars the somewhat bitter pill of the author's fiction. I also cannot help expressing my