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Today's Stichomancy for Douglas MacArthur

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tapestried Chamber by Walter Scott:

attached to it by the flexible voice and intelligent features of the gifted narrator. Yet still, read aloud to an undoubting audience by the doubtful light of the closing evening, or in silence by a decaying taper, and amidst the solitude of a half- lighted apartment, it may redeem its character as a good ghost story. Miss Seward always affirmed that she had derived her information from an authentic source, although she suppressed the names of the two persons chiefly concerned. I will not avail myself of any particulars I may have since received concerning the localities of the detail, but suffer them to rest under the same general description in which they were first related to me;

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Philebus by Plato:

is best known from the examination of extreme cases, e.g. the nature of hardness from the examination of the hardest things; and that the nature of pleasure will be best understood from an examination of the most intense pleasures. Now these are the pleasures of the body, not of the mind; the pleasures of disease and not of health, the pleasures of the intemperate and not of the temperate. I am speaking, not of the frequency or continuance, but only of the intensity of such pleasures, and this is given them by contrast with the pain or sickness of body which precedes them. Their morbid nature is illustrated by the lesser instances of itching and scratching, respecting which I swear that I cannot tell whether they are a pleasure or a pain. (1) Some of these arise out of a transition from one

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

Perhaps some unbelievable guest would arrive, a person infinitely rare and to be marvelled at, some authentically radiant young girl who with one fresh glance at Gatsby, one moment of magical encounter, would blot out those five years of unwavering devotion.

I stayed late that night, Gatsby asked me to wait until he was free, and I lingered in the garden until the inevitable swimming party had run up, chilled and exalted, from the black beach, until the lights were extinguished in the guest-rooms overhead. When he came down the steps at last the tanned skin was drawn unusually tight on his face, and his eyes were bright and tired.

"She didn't like it," he said immediately.


The Great Gatsby
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Woodlanders by Thomas Hardy:

deplored it; moreover, the tragic color of the antecedent events that he had been a great means of creating checked his instinct to interfere. He prayed and trusted that she had got into no danger on her way (as he supposed) to Sherton, and thence to Exbury, if that were the place she had gone to, forbearing all inquiry which the strangeness of her departure would have made natural. A few months before this time a performance by Grace of one-tenth the magnitude of this would have aroused him to unwonted investigation.

It was in the same spirit that he had tacitly assented to Fitzpiers's domicilation there. The two men had not met face to


The Woodlanders