Today's Stichomancy for Dr. Phil

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dream Life and Real Life by Olive Schreiner:

as your friends, you cannot understand what it is when one person is everything to you, when there is nothing else in the world!"

"And what do you want me to do?"

"Oh, I don't know!" She looked up. "A woman knows what she can do. Don't tell him that I love him." She looked up again. "Just say something to him. Oh, it's so terrible to be a woman; I can't do anything. You won't tell him exactly that I love him? That's the thing that makes a man hate a woman, if you tell it him plainly."

"If I speak to him I must speak openly. He is my friend. I cannot fence with him. I have never fenced with him in my own affairs." She moved as though she were going away from the fireplace, then she turned and said:

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ion by Plato:

the commonest logical distinctions; he cannot explain the nature of his own art; his great memory contrasts with his inability to follow the steps of the argument. And in his highest moments of inspiration he has an eye to his own gains.

The old quarrel between philosophy and poetry, which in the Republic leads to their final separation, is already working in the mind of Plato, and is embodied by him in the contrast between Socrates and Ion. Yet here, as in the Republic, Socrates shows a sympathy with the poetic nature. Also, the manner in which Ion is affected by his own recitations affords a lively illustration of the power which, in the Republic, Socrates attributes to dramatic performances over the mind of the performer. His allusion to his

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Magic of Oz by L. Frank Baum:

his pocket--which seemed to be full of all sorts of things--he proceeded to bind the flat piece of bark to the bottom of his good foot, over the leather sole.

"What's that for?" inquired the Wizard.

"I hate to be stumped," replied the sailor-man; "so I'm goin' back to that island."

"And get enchanted again?" exclaimed Trot, with evident disapproval.

"No; this time I'll dodge the magic of the island. I noticed that my wooden leg didn't get stuck, or take root, an' neither did the glass feet of the Glass Cat. It's only a thing that's made of meat--like man an' beasts--that the magic can hold an' root to the

The Magic of Oz

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rinkitink In Oz by L. Frank Baum:

standing against him."

"Oh, have you discovered his magic at last?" replied Gos, laughing in her face. "Who, now, is the coward?"

"Don't laugh!" cried Queen Cor. "It is no laughing matter. Both our islands are as good as conquered, this very minute. What shall we do, Gos?"

"Come in," he said, growing serious, "and let us talk it over."

So they went into a room of the palace and talked long and earnestly.

"The boy intends to liberate his father and mother,

Rinkitink In Oz