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Today's Stichomancy for Eddie Murphy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lady Susan by Jane Austen:

Catherine," he replied, "I am not going. Will you let me speak to you a moment?" We went into my room. "I find," he continued, his confusion increasing as he spoke, "that I have been acting with my usual foolish impetuosity. I have entirely misunderstood Lady Susan, and was on the point of leaving the house under a false impression of her conduct. There has been some very great mistake; we have been all mistaken, I fancy. Frederica does not know her mother. Lady Susan means nothing but her good, but she will not make a friend of her. Lady Susan does not always know, therefore, what will make her daughter happy. Besides, I could have no right to interfere. Miss Vernon was mistaken in applying to me. In short, Catherine, everything has gone wrong, but it is now all happily settled. Lady Susan, I


Lady Susan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Emma McChesney & Co. by Edna Ferber:

ignorant of twentieth century child-raising methods. She learned strange things about barley-water and formulae and units and olive oil, and orange juice and ounces and farina, and bath-thermometers and blue-and-white striped nurses who view grandmothers with a coldly disapproving and pitying eye.

She watched the bathing-process for the first time with wonder as frank as it was unfeigned.

"And I thought I was a modern woman!" she marveled. "When I used to bathe Jock I tested the temperature of the water with my elbow; and I know my mother used to test my bath-water when I was a baby by putting me into it. She used to say that if I turned


Emma McChesney & Co.
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Animal Farm by George Orwell:

animals sallied forth to meet them, but this time they did not have the easy victory that they had had in the Battle of the Cowshed. There were fifteen men, with half a dozen guns between them, and they opened fire as soon as they got within fifty yards. The animals could not face the terrible explosions and the stinging pellets, and in spite of the efforts of Napoleon and Boxer to rally them, they were soon driven back. A number of them were already wounded. They took refuge in the farm buildings and peeped cautiously out from chinks and knot-holes. The whole of the big pasture, including the windmill, was in the hands of the enemy. For the moment even Napoleon seemed at a loss. He paced up and down without a word, his tail rigid and twitching. Wistful glances were sent in the


Animal Farm
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Enemies of Books by William Blades:

of Troy," printed by Caxton, still exists with "Eracles" on the back, as its title, because that name occurs several times in the early chapters, and the binder was too proud to seek advice. The words "Miscellaneous," or "Old Pieces," were sometimes used when binders were at a loss for lettering, and many other instances might be mentioned.

The rapid spread of printing throughout Europe in the latter part of the fifteenth century caused a great fall in the value of plain un-illuminated MSS., and the immediate consequence of this was the destruction of numerous volumes written upon parchment, which were used by the binders to strengthen the backs of their newly-printed rivals.