| The first excerpt represents the past or something you must release, and is drawn from The Passionate Pilgrim by William Shakespeare: All ignorant that soul that sees thee without wonder;
Which is to me some praise, that I thy parts admire:
Thy eye Jove's lightning seems, thy voice his dreadful thunder,
Which, not to anger bent, is music and sweet fire.
Celestial as thou art, O do not love that wrong,
To sing heaven's praise with such an earthly tongue.
VI.
Scarce had the sun dried up the dewy morn,
And scarce the herd gone to the hedge for shade,
When Cytherea, all in love forlorn,
A longing tarriance for Adonis made
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Figure in the Carpet by Henry James: all bright with the desire to be tender to my youth. I don't know
what he had at first meant to say, but I think the sight of my
relief touched him, excited him, brought up words to his lips from
far within. It was so these words presently conveyed to me
something that, as I afterwards knew, he had never uttered to any
one. I've always done justice to the generous impulse that made
him speak; it was simply compunction for a snub unconsciously
administered to a man of letters in a position inferior to his own,
a man of letters moreover in the very act of praising him. To make
the thing right he talked to me exactly as an equal and on the
ground of what we both loved best. The hour, the place, the
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The third excerpt represents the future or something you must embrace, and is drawn from The Taming of the Shrew by William Shakespeare: And bound I am to Padua, there to visit
A son of mine, which long I have not seen.
PETRUCHIO.
What is his name?
VINCENTIO.
Lucentio, gentle sir.
PETRUCHIO.
Happily met; the happier for thy son.
And now by law, as well as reverend age,
I may entitle thee my loving father:
The sister to my wife, this gentlewoman,
The Taming of the Shrew |
