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Today's Stichomancy for Edward Norton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Gift of the Magi by O. Henry:

are wisest. They are the magi.

End of this Project Gutenberg Etext of THE GIFT OF THE MAGI.


The Gift of the Magi
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Democracy In America, Volume 1 by Alexis de Toqueville:

benefits, and the idea of evil is inseparable in their minds from that of novelty.

Not far from this class is another party, whose object is to materialize mankind, to hit upon what is expedient without heeding what is just, to acquire knowledge without faith, and prosperity apart from virtue; assuming the title of the champions of modern civilization, and placing themselves in a station which they usurp with insolence, and from which they are driven by their own unworthiness. Where are we then? The religionists are the enemies of liberty, and the friends of liberty attack religion; the high- minded and the noble advocate subjection, and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

look out for some less difficult admirer.

HARDCASTLE. Bravely resolved! In the mean time I'll go prepare the servants for his reception: as we seldom see company, they want as much training as a company of recruits the first day's muster. [Exit.]

MISS HARDCASTLE. (Alone). Lud, this news of papa's puts me all in a flutter. Young, handsome: these he put last; but I put them foremost. Sensible, good-natured; I like all that. But then reserved and sheepish; that's much against him. Yet can't he be cured of his timidity, by being taught to be proud of his wife? Yes, and can't I--But I vow I'm disposing of the husband before I have secured the lover.


She Stoops to Conquer
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

Had wrought such havoc on the earth as I, Or troubled heaven with a sea of flame That climbed to touch the silent whirling stars And blotted out their brightness ere the dawn. Have I not made the world to weep enough? Give death to me. Yet life is more than death; How could I leave the sound of singing winds, The strong sweet scent that breathes from off the sea, Or shut my eyes forever to the spring? I will not give the grave my hands to hold, My shining hair to light oblivion.