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Today's Stichomancy for Edward Norton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from King James Bible:

side chambers that were within.

EZE 41:10 And between the chambers was the wideness of twenty cubits round about the house on every side.

EZE 41:11 And the doors of the side chambers were toward the place that was left, one door toward the north, and another door toward the south: and the breadth of the place that was left was five cubits round about.

EZE 41:12 Now the building that was before the separate place at the end toward the west was seventy cubits broad; and the wall of the building was five cubits thick round about, and the length thereof ninety cubits.

EZE 41:13 So he measured the house, an hundred cubits long; and the


King James Bible
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Modest Proposal by Jonathan Swift:

nutriments and rags having been at least four times that value.

I shall now therefore humbly propose my own thoughts, which I hope will not be liable to the least objection.

I have been assured by a very knowing American of my acquaintance in London, that a young healthy child well nursed, is, at a year old, a most delicious nourishing and wholesome food, whether stewed, roasted, baked, or boiled; and I make no doubt that it will equally serve in a fricasie, or a ragoust.

I do therefore humbly offer it to publick consideration, that of the hundred and twenty thousand children, already computed, twenty thousand may be reserved for breed, whereof only one


A Modest Proposal
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Intentions by Oscar Wilde:

the flowers exhale sad perfume from their buds; the nightingale mourns on the craggy lands, and the swallow in the long-winding vales; 'the satyrs, too, and fauns dark-veiled groan,' and the fountain nymphs within the wood melt into tearful waters. The sheep and goats leave their pasture; and oreads, 'who love to scale the most inaccessible tops of all uprightest rocks,' hurry down from the song of their wind-courting pines; while the dryads bend from the branches of the meeting trees, and the rivers moan for white Procris, 'with many-sobbing streams,'

Filling the far-seen ocean with a voice.

The golden bees are silent on the thymy Hymettus; and the knelling

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Theaetetus by Plato:

rise. Plato saw the necessity of combating the illogical logic of the Megarians and Eristics. For the completion of the edifice, he makes preparation in the Theaetetus, and crowns the work in the Sophist.

Many (1) fine expressions, and (2) remarks full of wisdom, (3) also germs of a metaphysic of the future, are scattered up and down in the dialogue. Such, for example, as (1) the comparison of Theaetetus' progress in learning to the 'noiseless flow of a river of oil'; the satirical touch, 'flavouring a sauce or fawning speech'; or the remarkable expression, 'full of impure dialectic'; or the lively images under which the argument is described,--'the flood of arguments pouring in,' the fresh discussions 'bursting in like a band of revellers.' (2) As illustrations of the second