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Today's Stichomancy for Edward Norton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twice Told Tales by Nathaniel Hawthorne:

In one of the apartments of the Province House there was long preserved an ancient picture, the frame of which was as black as ebony, and the canvas itself so dark with age, damp, and smoke, that not a touch of the painter's art could be discerned. Time had thrown an impenetrable veil over it, and left to tradition and fable and conjecture to say what had once been there portrayed. During the rule of many successive governors, it had hung, by prescriptive and undisputed right, over the mantel-piece of the same chamber; and it still kept its place when Lieutenant-Governor Hutchinson assumed the administration of the province, on the departure of Sir Francis Bernard.


Twice Told Tales
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lady Windermere's Fan by Oscar Wilde:

have absolutely no respect for dyed hair. [LORD AUGUSTUS looks round angrily.]

CECIL GRAHAM. Mrs. Erlynne has a very great respect for dear Tuppy.

DUMBY. Then Mrs. Erlynne sets an admirable example to the rest of her sex. It is perfectly brutal the way most women nowadays behave to men who are not their husbands.

LORD WINDERMERE. Dumby, you are ridiculous, and Cecil, you let your tongue run away with you. You must leave Mrs. Erlynne alone. You don't really know anything about her, and you're always talking scandal against her.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ion by Plato:

winged and holy thing, and there is no invention in him until he has been inspired and is out of his senses, and the mind is no longer in him: when he has not attained to this state, he is powerless and is unable to utter his oracles. Many are the noble words in which poets speak concerning the actions of men; but like yourself when speaking about Homer, they do not speak of them by any rules of art: they are simply inspired to utter that to which the Muse impels them, and that only; and when inspired, one of them will make dithyrambs, another hymns of praise, another choral strains, another epic or iambic verses--and he who is good at one is not good at any other kind of verse: for not by art does the poet sing, but by power divine. Had he learned by rules of art, he would have known how to speak

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Z. Marcas by Honore de Balzac:

Marcas erred in the same way, but for our benefit only. Silence in all its majesty is to be found only in the savage. There is never a criminal who, though he might let his secrets fall with his head into the basket of sawdust does not feel the purely social impulse to tell them to somebody.

Nay, I am wrong. We have seen one Iroquois of the Faubourg Saint- Marceau who raised the Parisian to the level of the natural savage--a republican, a conspirator, a Frenchman, an old man, who outdid all we have heard of Negro determination, and all that Cooper tells us of the tenacity and coolness of the Redskins under defeat. Morey, the Guatimozin of the "Mountain," preserved an attitude unparalleled in