| The first excerpt represents the past or something you must release, and is drawn from The People That Time Forgot by Edgar Rice Burroughs: smiled at this tacit acceptance of the truth of the whole
uncanny tale:
"I suppose I'm a fool," remarked the assistant secretary; "but
by George, I can't help believing it, and I can see that girl
now, with the big Airedale at her side protecting her from the
terrors of a million years ago. I can visualize the entire
scene--the apelike Grimaldi men huddled in their filthy caves;
the huge pterodactyls soaring through the heavy air upon their
bat-like wings; the mighty dinosaurs moving their clumsy hulks
beneath the dark shadows of preglacial forests--the dragons
which we considered myths until science taught us that they
 The People That Time Forgot |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri: Villani relates, that it was first used at Florence in 1253, an
aera of great prosperity in the annals of the republic; before
which time their most valuable coinage was of silver. Hist. l.
vi. c. 54.
v. 98. The false accuser.] Potiphar's wife.
CANTO XXXI.
v. 1. The very tongue.]
Vulnus in Herculeo quae quondam fecerat hoste
Vulneris auxilium Pellas hasta fuit.
Ovid, Rem. Amor. 47.
The same allusion was made by Bernard de Ventadour, a Provencal
 The Divine Comedy (translated by H.F. Cary) |
The third excerpt represents the future or something you must embrace, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp: and preparing funeral wreaths of dandelions.
Just as I had written that I heard sounds of <28> arrival,
and running out I breathlessly told the Man of Wrath how nearly I had been
able to give him the owls he has so often said he would like to have,
and how sorry I was they were gone, and how grievous the death of one,
and so on after the voluble manner of women.
He listened till I paused to breathe, and then he said, "I am
surprised at such cruelty. How could you make the mother owl suffer so?
She had never done you any harm."
Which sent me out of the house and into the garden more convinced
than ever that he sang true who sang--
 Elizabeth and her German Garden |