|
The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from Sarrasine by Honore de Balzac: his chamber, like a madman from his cell, the little old man had
evidently crept behind a long line of people who were listening
attentively to Marianina's voice as she finished the cavatina from
/Tancred/. He seemed to have come up through the floor, impelled by
some stage mechanism. He stood for a moment motionless and sombre,
watching the festivities, a murmur of which had perhaps reached his
ears. His almost somnambulistic preoccupation was so concentrated upon
things that, although he was in the midst of many people, he saw
nobody. He had taken his place unceremoniously beside one of the most
fascinating women in Paris, a young and graceful dancer, with slender
figure, a face as fresh as a child's, all pink and white, and so
|