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Today's Stichomancy for Emiliano Zapata

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

like over the purply-dark beech-woods back of Avonlea."

"What are you going to wear for commencement, Jane?" asked Ruby practically.

Jane and Josie both answered at once and the chatter drifted into a side eddy of fashions. But Anne, with her elbows on the window sill, her soft cheek laid against her clasped hands, and her eyes filled with visions, looked out unheedingly across city roof and spire to that glorious dome of sunset sky and wove her dreams of a possible future from the golden tissue of youth's own optimism. All the Beyond was hers with its possibilities lurking rosily in the


Anne of Green Gables
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Chronicles of the Canongate by Walter Scott:

distinction; and though only having the company of my bower- maiden, Mrs. Alice Lambskin, I went on my journey fearless.

But then I had a guide and cicerone, almost equal to Greatheart in the Pilgrim's Progress, in no less a person than Donald MacLeish, the postilion whom I hired at Stirling, with a pair of able-bodied horses, as steady as Donald himself, to drag my carriage, my duenna, and myself, wheresoever it was my pleasure to go.

Donald MacLeish was one of a race of post-boys whom, I suppose, mail-coaches and steamboats have put out of fashion. They were to be found chiefly at Perth, Stirling, or Glasgow, where they

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Juana by Honore de Balzac:

dressed in white, beautiful with naught but her own beauty, laying down her rosary to answer love, might have inspired respect, even in a Montefiore, if the silence, if the night, if Juana herself had not seemed so amorous. Montefiore stood still, intoxicated with an unknown happiness, possibly that of Satan beholding heaven through a rift of the clouds which form its enclosure.

"As soon as I saw you," he said in pure Tuscan, and in the modest tone of voice so peculiarly Italian, "I loved you. My soul and my life are now in you, and in you they will be forever, if you will have it so."

Juana listened, inhaling from the atmosphere the sound of these words which the accents of love made magnificent.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson:

black a countenance as made the attendants tremble; not a look did they exchange in my presence; but obsequiously took my orders, led me to a private room, and brought me wherewithal to write. Hyde in danger of his life was a creature new to me; shaken with inordinate anger, strung to the pitch of murder, lusting to inflict pain. Yet the creature was astute; mastered his fury with a great effort of the will; composed his two important letters, one to Lanyon and one to Poole; and that he might receive actual evidence of their being posted, sent them out with directions that they should be registered. Thenceforward, he sat all day over the fire in the private room, gnawing his nails; there he dined,


The Strange Case of Dr. Jekyll and Mr. Hyde